 | Gilles Deleuze - Performing Arts - 1986 - 366 pages
...and sound situation. The reaction of which man has been dispossessed can be replaced only by belief. Only belief in the world can reconnect man to what...belief in this world, our only link. The nature of the cinematographic illusion has often been considered. Restoring our belief in the world - this is... | |
 | Rob Wilson, Wimal Dissanayake - History - 1996 - 412 pages
...contrary a fissure, a crack."33 This fissure appears as a crack in the state functions of consciousness. "The cinema must film, not the world, but belief in this world, our only link."34 Thus for Deleuze, cinema and its consciousness offers the possibility of the restoration of... | |
 | John Marks - Literary Criticism - 1998 - 218 pages
...be restored within a faith. Belief is no longer addressed to a different or transformed world. [...] The cinema must film, not the world, but belief in this world, our only link. (C2, 171-2) In Cinema 2 Deleuze develops the notion that cinema has, from the beginning, been concerned... | |
 | Brian Massumi - Literary Criticism - 2002 - 300 pages
...things; rather, the pure transcendent is the taking-place of" every thing' (Agamben, 1993: 14-15). 3 'Only belief in the world can reconnect man to what...the world, but belief in this world, our only link ... Whether we are Christians or atheists, in our universal schizophrenia, we need reasons to believe... | |
 | Charles J. Stivale - Philosophy - 2005 - 230 pages
...and sound situation. The reaction of which man has been dispossessed can be replaced only by belief. Only belief in the world can reconnect man to what...the world, but belief in this world, our only link. Restoring our belief in the world - this is the power of the modern cinema (when it stops being bad).... | |
 | Stephen Zepke, Lisa Yun Lee - Philosophy - 2005 - 330 pages
...star. This, Deleuze writes, "is the impossible which can only be restored within a faith. [ . . . ] Only belief in the world can reconnect man to what he sees and hears" (C2, 172/223). To reconnect man to what he sees and hears, this is nothing less than the project of... | |
 | Robert Bird - Performing Arts - 2008 - 260 pages
...their sensory existence as a question of doubt, desire and faith. As Deleuze has written about Godard, 'Man is in the world as if in a pure optical and sound...world, but belief in this world, our only link.'' The linkage between faith and material texture is at the centre of Stalker, the starkest and purest example... | |
| |
... become an object of belief: it is the impossible which can only be restored within a faith. Belief is no longer addressed to a different or transformed world. Man is in the world as if in a pure optical and sound situation. The reaction of which man... 