Rubens and Italy |
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Page 39
... suggests that the copyist may not have been a professional painter , but rather some enthusiastic amateur . The copy makes clear how Rubens turned the damaged upper zone of Porta's drawing to his own account . He introduced an effect ...
... suggests that the copyist may not have been a professional painter , but rather some enthusiastic amateur . The copy makes clear how Rubens turned the damaged upper zone of Porta's drawing to his own account . He introduced an effect ...
Page 62
... suggests a date after his first chance to explore the Campagna . Without that setting it might be dated regardless ... suggest that he had visited S. Corona , Vicenza , and studied there Veronese's altarpiece on the same theme : but the ...
... suggests a date after his first chance to explore the Campagna . Without that setting it might be dated regardless ... suggest that he had visited S. Corona , Vicenza , and studied there Veronese's altarpiece on the same theme : but the ...
Page 71
... suggests that his dappled grey rearing from the chariot borrowed by Phaethon , at the right , and the pure grey plunging headlong to destruction , at the left , have each some formal as well as spiritual descent from Leonardo's chargers ...
... suggests that his dappled grey rearing from the chariot borrowed by Phaethon , at the right , and the pure grey plunging headlong to destruction , at the left , have each some formal as well as spiritual descent from Leonardo's chargers ...
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Common terms and phrases
Agostino Albertina altarpiece Annibale Annibale Carracci antique marble Antwerp Barocci Black chalk bodycolour bodycolour on paper Borghese British Museum brown ink Brussels BURCHARD-D'HULST Burl.M Caravaggio Cardinal Carracci chalk on paper Chapel Chieppio Chiesa Nuova Christ colour composition copy decoration Domitilla Doria drapery drawing Dresden Duke engraving Entombment Farnese Federico Zuccaro Fermo figures Flemish Florence Fondation Custodia fresco Genoa Giovanni Giulio Romano Gonzaga head Hercules ibid Ink and bodycolour Ink on paper Italian Italy JAFFÉ Kupferstichkabinett landscape Lerma London Louvre LUGT Madonna Madrid Mantua Michelangelo modello Musée Museum Boymans-van Beuningen National Gallery Oils on canvas Oils on panel Oratorians painter painting Palazzo Paris pen and wash Peter Paul Rubens Philip picture Pietro Plate portrait Prado private collection Raphael Red chalk Ricci Roman Rome Rubens's scudi Seilern Serra sheet sketch Tintoretto Titian Vallicella Venetian Venice Veronese verso Vienna Vincenzo WETHEY white bodycolour