Rubens and Italy |
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Page 24
... fresco itself , and not Caraglio's engraving , was his model ; although it is more than likely that he owned , perhaps even at this time , an impression of that print as well as of engravings by Marcantonio after Jupiter kissing Cupid ...
... fresco itself , and not Caraglio's engraving , was his model ; although it is more than likely that he owned , perhaps even at this time , an impression of that print as well as of engravings by Marcantonio after Jupiter kissing Cupid ...
Page 25
... fresco , suggests that he may well have made this drawing after he had finally left Rome . Conceivably this Raphaelizing exercise belongs to the period when he was collecting his thoughts for The Life of the Consul Decius Mus.70 In any ...
... fresco , suggests that he may well have made this drawing after he had finally left Rome . Conceivably this Raphaelizing exercise belongs to the period when he was collecting his thoughts for The Life of the Consul Decius Mus.70 In any ...
Page 99
... fresco of St. Andrew led to Martyrdom ( Plate 343 ) , another of the artistic sen- sations of 1608 , and from the highly finished record which Rubens found time to draw of it.72 About this time probably he acquired a superb life study ...
... fresco of St. Andrew led to Martyrdom ( Plate 343 ) , another of the artistic sen- sations of 1608 , and from the highly finished record which Rubens found time to draw of it.72 About this time probably he acquired a superb life study ...
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Common terms and phrases
Agostino Albertina altarpiece Annibale Annibale Carracci antique marble Antwerp Barocci Black chalk bodycolour bodycolour on paper Borghese British Museum brown ink Brussels BURCHARD-D'HULST Burl.M Caravaggio Cardinal Carracci chalk on paper Chapel Chieppio Chiesa Nuova Christ colour composition copy decoration Domitilla Doria drapery drawing Dresden Duke engraving Entombment Farnese Federico Zuccaro Fermo figures Flemish Florence Fondation Custodia fresco Genoa Giovanni Giulio Romano Gonzaga head Hercules ibid Ink and bodycolour Ink on paper Italian Italy JAFFÉ Kupferstichkabinett landscape Lerma London Louvre LUGT Madonna Madrid Mantua Michelangelo modello Musée Museum Boymans-van Beuningen National Gallery Oils on canvas Oils on panel Oratorians painter painting Palazzo Paris pen and wash Peter Paul Rubens Philip picture Pietro Plate portrait Prado private collection Raphael Red chalk Ricci Roman Rome Rubens's scudi Seilern Serra sheet sketch Tintoretto Titian Vallicella Venetian Venice Veronese verso Vienna Vincenzo WETHEY white bodycolour