Rubens and Italy |
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Page 52
More lastingly, he was interested in the modelli for altarpieces painted by Barocci
in full colour on small canvases. These were the culminating stages of long and
painstaking chains of preparation, which had involved pen and ink composition ...
More lastingly, he was interested in the modelli for altarpieces painted by Barocci
in full colour on small canvases. These were the culminating stages of long and
painstaking chains of preparation, which had involved pen and ink composition ...
Page 97
Even the indications of colour in the Seilern sketch suggest that it is unlikely to
have been painted after the full colours of the first ... it would have been painted
in rather precise detail, either en grisaille or reflecting the colours of that
altarpiece.
Even the indications of colour in the Seilern sketch suggest that it is unlikely to
have been painted after the full colours of the first ... it would have been painted
in rather precise detail, either en grisaille or reflecting the colours of that
altarpiece.
Page 112
206, give 'the presumed date' as c. 1624–7, without reason. 85. 86. London,
National Gallery. waddingHAM, colour pls. vi, Wii. Frankfurt, Staedelsches
Kunstinstitut. Frankfurt 1966, no. 22, pl. 20; M. Waddingham, Burl.M. cxlv., 1972,
601, fig.
206, give 'the presumed date' as c. 1624–7, without reason. 85. 86. London,
National Gallery. waddingHAM, colour pls. vi, Wii. Frankfurt, Staedelsches
Kunstinstitut. Frankfurt 1966, no. 22, pl. 20; M. Waddingham, Burl.M. cxlv., 1972,
601, fig.
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Contents
ACKNOWLEDGEMENTS | 4 |
Preparations for Italy | 14 |
Florence Rome Milan Parma | 27 |
Copyright | |
7 other sections not shown
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Common terms and phrases
Agostino altarpiece Annibale Annibale Carracci antique marble Antwerp Barocci Black chalk bodycolour bodycolour on paper Borghese British Museum brown ink Brussels BURCHARD-D'HULST Burl.M Caravaggio Cardinal Carracci chalk on paper Chapel Chieppio Chiesa Nuova Christ colour composition copy decoration drapery drawing Duke engraving Entombment Farnese Federico Zuccaro Fermo figures Flemish Florence Fondation Custodia fresco Genoa Giulio Romano Gonzaga head Hercules ibid Ink and bodycolour Ink on paper Italian Italy JAFFé Judgement of Paris Kupferstichkabinett landscape Lerma London Louvre LUGT Madonna Madrid Mantua Michelangelo modello Musée National Gallery º º Oils on canvas Oils on panel Oratorians painter painting Palazzo Paris pen and wash Peter Paul Rubens Philip picture Plate portrait Prado private collection Raphael retouched Ricci Roman Rome RUBENS AND ITALY Rubens's scudi Seilern Serra sheet sketch ſº Tintoretto Titian Venetian Venice Veronese verso Vienna Vincenzo white bodycolour
Bibliographic information
| Title | Rubens and Italy |
| Authors | Michael Jaffé, Peter Paul Rubens |
| Illustrated by | Peter Paul Rubens |
| Edition | illustrated |
| Publisher | Phaidon, 1977 |
| Original from | the University of California |
| Digitized | 31 Mar 2009 |
| ISBN | 0714815756, 9780714815756 |
| Length | 207 pages |
| Export Citation | BiBTeX EndNote RefMan |