Rubens and Italy |
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Page 20
... Michelangelo . On a later visit to the Chapel , he concentrated again on the lowest zone of the altar wall , and he selected to copy in chalks the right - hand group of demons ( Plate 10 ) , in order to enunciate fully Michelangelo's ...
... Michelangelo . On a later visit to the Chapel , he concentrated again on the lowest zone of the altar wall , and he selected to copy in chalks the right - hand group of demons ( Plate 10 ) , in order to enunciate fully Michelangelo's ...
Page 21
... Michelangelo's own work in marble to be seen in the metropolis . We divine studies by him of the Christ holding the Cross in S. Maria sopra Minerva , a modern sculpture which ranked with the ancient ones , when we regard the three ...
... Michelangelo's own work in marble to be seen in the metropolis . We divine studies by him of the Christ holding the Cross in S. Maria sopra Minerva , a modern sculpture which ranked with the ancient ones , when we regard the three ...
Page 22
... Michelangelo's design and returned to its message across a considerable gap of years . In the same series of sketches for the Torre de la Parada he again remembered the Tityus in The Death of Hyacinth.37 Yet not everything thus absorbed ...
... Michelangelo's design and returned to its message across a considerable gap of years . In the same series of sketches for the Torre de la Parada he again remembered the Tityus in The Death of Hyacinth.37 Yet not everything thus absorbed ...
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Common terms and phrases
Agostino Albertina altarpiece Annibale Annibale Carracci antique marble Antwerp Barocci Black chalk bodycolour bodycolour on paper Borghese British Museum brown ink Brussels BURCHARD-D'HULST Burl.M Caravaggio Cardinal Carracci chalk on paper Chapel Chieppio Chiesa Nuova Christ colour composition copy decoration Domitilla Doria drapery drawing Dresden Duke engraving Entombment Farnese Federico Zuccaro Fermo figures Flemish Florence Fondation Custodia fresco Genoa Giovanni Giulio Romano Gonzaga head Hercules ibid Ink and bodycolour Ink on paper Italian Italy JAFFÉ Kupferstichkabinett landscape Lerma London Louvre LUGT Madonna Madrid Mantua Michelangelo modello Musée Museum Boymans-van Beuningen National Gallery Oils on canvas Oils on panel Oratorians painter painting Palazzo Paris pen and wash Peter Paul Rubens Philip picture Pietro Plate portrait Prado private collection Raphael Red chalk Ricci Roman Rome Rubens's scudi Seilern Serra sheet sketch Tintoretto Titian Vallicella Venetian Venice Veronese verso Vienna Vincenzo WETHEY white bodycolour