Rubens and Italy |
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Page 20
... Chapel , he concentrated again on the lowest zone of the altar wall , and he selected to copy in chalks the right - hand group of demons ( Plate 10 ) , in order to enunciate fully Michelangelo's language of heroic forms . 12 Many years ...
... Chapel , he concentrated again on the lowest zone of the altar wall , and he selected to copy in chalks the right - hand group of demons ( Plate 10 ) , in order to enunciate fully Michelangelo's language of heroic forms . 12 Many years ...
Page 59
... chapel , in what had been the titular basilica of the Archduke Albert until he relinquished his cardinal's hat , was of especial sanctity ; and the Archduke had presented to it a particle of the True Cross.3 The name of the patron ...
... chapel , in what had been the titular basilica of the Archduke Albert until he relinquished his cardinal's hat , was of especial sanctity ; and the Archduke had presented to it a particle of the True Cross.3 The name of the patron ...
Page 92
... chapels are , and whether the chapel of the High Altar has been allotted to anyone , because there is somebody who has made known to me an inclination to spend 300 scudi just on having a picture painted , another 300 on decoration and ...
... chapels are , and whether the chapel of the High Altar has been allotted to anyone , because there is somebody who has made known to me an inclination to spend 300 scudi just on having a picture painted , another 300 on decoration and ...
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Common terms and phrases
Agostino Albertina altarpiece Annibale Annibale Carracci antique marble Antwerp Barocci Black chalk bodycolour bodycolour on paper Borghese British Museum brown ink Brussels BURCHARD-D'HULST Burl.M Caravaggio Cardinal Carracci chalk on paper Chapel Chieppio Chiesa Nuova Christ colour composition copy decoration Domitilla Doria drapery drawing Dresden Duke engraving Entombment Farnese Federico Zuccaro Fermo figures Flemish Florence Fondation Custodia fresco Genoa Giovanni Giulio Romano Gonzaga head Hercules ibid Ink and bodycolour Ink on paper Italian Italy JAFFÉ Kupferstichkabinett landscape Lerma London Louvre LUGT Madonna Madrid Mantua Michelangelo modello Musée Museum Boymans-van Beuningen National Gallery Oils on canvas Oils on panel Oratorians painter painting Palazzo Paris pen and wash Peter Paul Rubens Philip picture Pietro Plate portrait Prado private collection Raphael Red chalk Ricci Roman Rome Rubens's scudi Seilern Serra sheet sketch Tintoretto Titian Vallicella Venetian Venice Veronese verso Vienna Vincenzo WETHEY white bodycolour