Victory: An Island TaleVictory (also published as Victory: An Island Tale) is a psychological novel by Joseph Conrad, through which Conrad achieved "popular success." The New York Times, however, called it "an uneven book" and "more open to criticism than most of Mr. Conrad's best work." The novel's "most striking formal characteristic is its shifting narrative and temporal perspective" with the first section from the viewpoint of a sailor, the second from omniscient perspective of Axel Heyst, the third from an interior perspective from Heyst, and the final section. It has been adapted into film a number of times. |
From inside the book
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... coming up on deck again with a face on which nothing could be read, would as likely as not resume for my edification the exposition of his moral attitude towards life illustrated by striking particular instances of the most atrocious ...
... coming up on deck again with a face on which nothing could be read, would as likely as not resume for my edification the exposition of his moral attitude towards life illustrated by striking particular instances of the most atrocious ...
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... coming by from the westward, saw him with his own eyes. Something white on the wharf, so he steamed in and went ashore in a small boat. Heyst, right enough. Put a book into his pocket, always very polite. Been strolling on the wharf and ...
... coming by from the westward, saw him with his own eyes. Something white on the wharf, so he steamed in and went ashore in a small boat. Heyst, right enough. Put a book into his pocket, always very polite. Been strolling on the wharf and ...
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... coming on shore later in the day, brought tales of a strange invasion, and wanted to know who were the two offensive lunatics in a steam-launch, apparently after a man and a girl, and telling a story of which one could make neither head ...
... coming on shore later in the day, brought tales of a strange invasion, and wanted to know who were the two offensive lunatics in a steam-launch, apparently after a man and a girl, and telling a story of which one could make neither head ...
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... coming down in pairs from the platform into the body of Schomberg's "concert-hall." They dispersed themselves all over the place. The male creature with the hooked nose and purple-black beard disappeared somewhere. This was the interval ...
... coming down in pairs from the platform into the body of Schomberg's "concert-hall." They dispersed themselves all over the place. The male creature with the hooked nose and purple-black beard disappeared somewhere. This was the interval ...
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... coming down the three steps from the platform to the floor of the hall. There she paused, stumbled one pace forward, and stood still again, while the other—the escort, the dragoon, the coarse big woman of the piano—passed her roughly ...
... coming down the three steps from the platform to the floor of the hall. There she paused, stumbled one pace forward, and stood still again, while the other—the escort, the dragoon, the coarse big woman of the piano—passed her roughly ...
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Common terms and phrases
answer appeared arms asked believe better boat bungalow chair Chinaman clear close coming course dark Davidson don't door doubt existence expected expression eyes face fact feeling feet fellow felt gave girl give glance gone governor hand head hear heard Heyst hold island Jones keep knew leaving Lena light lips living looked manner matter mean mind Morrison moved movement murmured mysterious nature never night observed once passed Pedro perhaps raised reason remained remarked Ricardo round Schomberg seemed seen shoulders side sight silence smile sort sound speak steps stopped strange suddenly suppose surprised talk tell There's thing thought told tone took trouble turned understand veranda voice waited walked Wang watched whispered woman wonder