Friendship and Sympathy: Communities of Southern Women WritersRosemary M. Magee |
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Page iv
... , ed . C. Ralph Stephens ( Jackson and London : Univer- sity Press of Mississippi , 1990 ) . Copyright © 1990 by C. Ralph Stephens . Reprinted by permission of C. Ralph Stephens . Furman University , " The Woman as Writer and Reader.
... , ed . C. Ralph Stephens ( Jackson and London : Univer- sity Press of Mississippi , 1990 ) . Copyright © 1990 by C. Ralph Stephens . Reprinted by permission of C. Ralph Stephens . Furman University , " The Woman as Writer and Reader.
Page v
Rosemary M. Magee. Furman University , " The Woman as Writer and Reader , " Furman Magazine 33 ( Winter 1989 ) . Copyright © 1989 by Furman University . Reprinted by permission of Furman University . Kaye Gibbons , " Planes of Language ...
Rosemary M. Magee. Furman University , " The Woman as Writer and Reader , " Furman Magazine 33 ( Winter 1989 ) . Copyright © 1989 by Furman University . Reprinted by permission of Furman University . Kaye Gibbons , " Planes of Language ...
Page xii
... and Elizabeth Spencer Remarks on Contemporary Writing 308 Furman University The Woman as Writer and Reader : A Panel Discussion 311 Acknowledgments The importance of friendship , sympathy , and community xii CONTENTS.
... and Elizabeth Spencer Remarks on Contemporary Writing 308 Furman University The Woman as Writer and Reader : A Panel Discussion 311 Acknowledgments The importance of friendship , sympathy , and community xii CONTENTS.
Page xxiv
... readers and critics , influence is impos- sible to measure . Interviews and panels inevitably get to this question of the impact of other major literary figures on contemporary writers . Once when Elizabeth Spencer was asked about the ...
... readers and critics , influence is impos- sible to measure . Interviews and panels inevitably get to this question of the impact of other major literary figures on contemporary writers . Once when Elizabeth Spencer was asked about the ...
Page 14
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Contents
3 | |
Marjorie Kinnan Rawlings | 13 |
Carson McCullers | 21 |
Margaret Walker | 28 |
Connections | 39 |
Review of None Shall Look Back | 60 |
by Caroline Gordon | 68 |
Katherine Anne Porter | 78 |
of Flannery OConnor | 172 |
by Flannery OConnor | 187 |
Shirley Ann Grau | 193 |
Lee Smith | 203 |
Review of The Collected Stories of Caroline Gordon | 212 |
Dialogues | 225 |
Review of The Killing Ground by Mary Lee Settle | 232 |
Review of The Odd Woman by Gail Godwin | 239 |
The Wide Net | 95 |
Review of The NeverEnding Wrong | 115 |
Elizabeth Spencer | 136 |
Anne Tyler | 142 |
Alice Walker | 154 |
and a Partisan View | 164 |
Review of A Mother and Two Daughters | 247 |
Barbara Kingsolver | 255 |
Communities | 295 |
Bobbie Ann Mason and Elizabeth Spencer | 308 |
Other editions - View all
Friendship and Sympathy: Communities of Southern Women Writers Rosemary M. Magee No preview available - 1992 |
Friendship and Sympathy: Communities of Southern Women Writers Rosemary M. Magee No preview available - 1992 |
Common terms and phrases
Alice Walker American Anne Tyler artist asked believe Breathing Lessons called Caroline Gordon characters contemporary Copyright critics Cross Creek death Elizabeth Spencer Ellen Glasgow Eudora Welty everything eyes Faulkner feel fiction Flannery O'Connor funeral Gail Godwin Georgia girl Hannah happened human Humphreys imagination James Jane Jeremy Katherine Anne Porter kind knew letter literary lives look Maggie Marjorie Marjorie Kinnan Rawlings mean mind Miranda Miss O'Connor Miss Porter Mississippi mother moved never novel novelist Old Mortality once past perhaps person published question Rawlings reader regional Reprinted by permission Review Rubin seems sense short story South southern literature Southern writers talk tell themes thing tion town tradition truth trying vision voice Welty's woman women writers wonderful words written wrote Yaddo York young Zora Neale Hurston Zora's
Popular passages
Page 217 - O solitary me listening, never more shall I cease perpetuating you, Never more shall I escape, never more the reverberations, Never more the cries of unsatisfied love be absent from me, Never again leave me to be the peaceful child I was before what there in the night, By the sea under the yellow and sagging moon, The messenger there arous'd, the fire, the sweet hell within, The unknown want, the destiny of me.
Page 111 - I can't live in their world any longer, she told herself, listening to the voices back of her. Let them tell their stories to each other. Let them go on explaining how things happened. I don't care. At least I can know the truth about what happens to me, she assured herself silently, making a promise to herself, in her hopefulness, her ignorance.
Page 282 - When written in Chinese the word crisis is composed of two characters. One represents danger and the other represents opportunity.
Page 77 - ... face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infant's cry of fear, In every voice, in every ban, The mind-forg'd manacles I hear. How the Chimney-sweeper's cry Every black'ning Church appalls; And the hapless Soldier's sigh Runs in blood down Palace walls. But most thro...
Page 253 - Norma Jean works at the Rexall drugstore, and she has acquired an amazing amount of information about cosmetics. When she explains to Leroy the three stages of complexion care, involving creams, toners, and moisturizers, he thinks happily of other petroleum products — axle grease, diesel fuel. This is a connection between him and Norma Jean. Since he has been home, he has felt unusually tender about his wife and guilty over his long absences. But he can't tell what she feels about him. Norma Jean...
Page 182 - Everywhere I go I'm asked if I think the universities stifle writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher.
Page 103 - ... reality refusing to admit or confirm the existence of the other, yet both conspiring toward the same end. This is not easy to accomplish, but it is always worth trying, and Miss Welty is so successful at it, it would seem her most familiar territory. There is no blurring at the edges, but evidences of an active and disciplined imagination working firmly in a strong line of continuity, the waking faculty of daylight reason recollecting and recording the crazy logic of the dream.