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American artist asked become beginning believe called characters close collection comes course critics deal death don't Eudora Welty everything experience eyes face fact feel fiction finally Flannery O'Connor girl give Gordon hand happened hard hope human imagination important interest Katherine Anne keep kind later learned leave letter literary literature lives look Maggie mean mind Miranda Miss mother moved natural never novel O'Connor once past perhaps person Porter present published question Rawlings reader reason regional Review Rubin seems sense short story society sometimes South Southern Southern writers talk tell thing thought town tradition true truth trying turn Tyler University voice whole woman women wonderful writers written wrote York young
Page 217 - O solitary me listening, never more shall I cease perpetuating you, Never more shall I escape, never more the reverberations, Never more the cries of unsatisfied love be absent from me, Never again leave me to be the peaceful child I was before what there in the night, By the sea under the yellow and sagging moon, The messenger there arous'd, the fire, the sweet hell within, The unknown want, the destiny of me.
Page 111 - I can't live in their world any longer, she told herself, listening to the voices back of her. Let them tell their stories to each other. Let them go on explaining how things happened. I don't care. At least I can know the truth about what happens to me, she assured herself silently, making a promise to herself, in her hopefulness, her ignorance.
Page 282 - When written in Chinese the word crisis is composed of two characters. One represents danger and the other represents opportunity.
Page 77 - ... face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infant's cry of fear, In every voice, in every ban, The mind-forg'd manacles I hear. How the Chimney-sweeper's cry Every black'ning Church appalls; And the hapless Soldier's sigh Runs in blood down Palace walls. But most thro...
Page 253 - Norma Jean works at the Rexall drugstore, and she has acquired an amazing amount of information about cosmetics. When she explains to Leroy the three stages of complexion care, involving creams, toners, and moisturizers, he thinks happily of other petroleum products — axle grease, diesel fuel. This is a connection between him and Norma Jean. Since he has been home, he has felt unusually tender about his wife and guilty over his long absences. But he can't tell what she feels about him. Norma Jean...
Page 182 - Everywhere I go I'm asked if I think the universities stifle writers. My opinion is that they don't stifle enough of them. There's many a best-seller that could have been prevented by a good teacher.
Page 103 - ... reality refusing to admit or confirm the existence of the other, yet both conspiring toward the same end. This is not easy to accomplish, but it is always worth trying, and Miss Welty is so successful at it, it would seem her most familiar territory. There is no blurring at the edges, but evidences of an active and disciplined imagination working firmly in a strong line of continuity, the waking faculty of daylight reason recollecting and recording the crazy logic of the dream.