Re/collecting Early Asian America: Essays in Cultural HistoryJosephine D. Lee, Imogene L. Lim, Yuko Matsukawa |
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Page xi
... critical attention , so it is no surprise that here she directed her scholar's eye to an even earlier writer to reconsider the origins of Asian American writing . Her tireless efforts in uncovering , teaching , researching , chronicling ...
... critical attention , so it is no surprise that here she directed her scholar's eye to an even earlier writer to reconsider the origins of Asian American writing . Her tireless efforts in uncovering , teaching , researching , chronicling ...
Page 10
... critical analysis of this work begins , there- fore , with celebration . Because works by pre - 196os Asian American artists often lacked adequate recognition in their own time , present " recollections " of such works strive both to ...
... critical analysis of this work begins , there- fore , with celebration . Because works by pre - 196os Asian American artists often lacked adequate recognition in their own time , present " recollections " of such works strive both to ...
Page 11
... critical and aesthetic terms , judgments , and values includes an ongoing reassessment of known writers . Guy Beauregard's " Reclaiming Sui Sin Far " brings us back around to the present moment , laying out the terms by which ...
... critical and aesthetic terms , judgments , and values includes an ongoing reassessment of known writers . Guy Beauregard's " Reclaiming Sui Sin Far " brings us back around to the present moment , laying out the terms by which ...
Page 19
... critical mass , the development of programs such as those that began in 1969 at San Francisco State College and the University of California at Berke- ley is possible ( see AAAS 1998 , i ) . ( British Columbia is similar to California ...
... critical mass , the development of programs such as those that began in 1969 at San Francisco State College and the University of California at Berke- ley is possible ( see AAAS 1998 , i ) . ( British Columbia is similar to California ...
Page 84
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Re/collecting Early Asian America: Essays in Cultural History Josephine D. Lee,Imogene L. Lim,Yuko Matsukawa No preview available - 2002 |
Re/collecting Early Asian America: Essays in Cultural History Josephine D. Lee,Imogene L. Lim,Yuko Matsukawa No preview available - 2002 |
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Amer Asian American studies assimilation Bitter Society boycott brothers California Canada Canadian century China Chinaman Chinatown Chinese American Chinese Canadian Chinese Peruvian City colonial critical cultural Eaton essay ethnic Eurasian Euro-American Exchange Visitor exclusion laws Far's fiction Filipino exchange nurses Filipino nurses film Fu Manchu gaze gender Genthe Genthe's haole Hardy boys Hawai'i Holmes Holmes's ican identity images Indian internment Japan Japanese American Japanese American communities Komagata Maru labor laundryman lecture Lee's literary living migration narrative nese Nisei Noguchi novels Old Chinatown Oriental overseas Chinese Pacific Philippines photographs Phou Lee plays political race racial racism repatriation representation Rohmer Sam Lee San Francisco Shanghai Sikh Singh Siu's social sojourner South Asian stereotypes story Stratemeyer structures suggests texts theater Third Circle tion town trade cards United University Press Vancouver White-Parks woman women Wong writing Yone Noguchi York
Popular passages
Page 231 - All moveables of wonder, from all parts, Are here — Albinos, painted Indians, Dwarfs, The Horse of knowledge, and the learned Pig, The Stone-eater, the man that swallows fire, Giants, Ventriloquists, the Invisible Girl, The Bust that speaks and moves its goggling eyes, The Wax-work, Clock-work, all the marvellous craft Of modern Merlins, Wild Beasts, Puppet-shows, All out-o'-the-way, far-fetched, perverted things, All freaks of nature, all Promethean thoughts Of man, his dulness, madness, and their...
Page 161 - States to promote a better understanding of the United States in other countries, and to increase mutual understanding between the people of the United States and the people of other countries.
Page 61 - I tried to break the spell — the heavy, mute spell of the wilderness — that seemed to draw him to its pitiless breast by the awakening of forgotten and brutal instincts, by the memory of gratified and monstrous passions.
Page 267 - In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness.
Page 56 - Chinatown than are dreamed of in Heaven and earth. In reality, there are three parts of Chinatown — the part the guides show you, the part the guides don't show you, and the part that no one ever hears of. It is with the latter part that this story has to do. There are a good many stories that might be written about this third circle of Chinatown, but believe me, they never will be written — at any rate not until the "town...
Page 82 - We hold ourselves bound to the natives of our Indian territories by the same obligations of duty which bind us to all our other subjects ; and those obligations, by the blessing of Almighty God, we shall faithfully and conscientiously fulfil.
Page 112 - It will be the duty of the commander of the forces of occupation to announce and proclaim in the most public manner that we come not as invaders or conquerors, but as friends, to protect the natives in their homes, in their employments, and in their personal and religious rights.
Page 262 - I meet a half Chinese, half white girl. Her face is plastered with a thick white coat of paint and her eyelids and eyebrows are blackened so that the shape of her eyes and the whole expression of her face is changed. She was born in the East, and at the age of eighteen came West in answer to an advertisement. Living for many years among the working class, she had heard little but abuse of the Chinese. It is not difficult, in a land like California, for a half Chinese, half white girl to pass as one...
Page 267 - The representation of woman as image (spectacle, object to be looked at, vision of beauty — and the concurrent representation of the female body as the locus of sexuality, site of visual pleasure, or lure of the gaze...