Designing a Digital PortfolioThe world has gone digital--which means that a paper portfolio is no longer good enough. These days, as a creative professional, you're expected to be able to show your work on demand--whether that means emailing it to a client, displaying it on a Web site, or delivering it on CD or DVD. This book shows you how. Using a combination of step-by-step instructions and inspiring examples, veteran authorCynthia Barontakes you through the entire process of designing a digital portfolio--from developing a concept and choosing a medium, to scanning work created with traditional materials; optimizing digitized art; repurposing digital material; creating a portfolio Web site, CD, or DVD; producing a portable portfolio; and avoiding technical pitfalls when digitizing, organizing, and delivering the final product. You'll also find loads of insights from the professionals who evaluate artist portfolios everyday--agency heads, art directors, and designers--plus handy checklists, a run-down of dos and don'ts, case studies, and tips. |
From inside the book
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... concept that highlights both of these strengths . PURPOSE : LICENSE OR FREELANCE Like for fine artists , style is the most important element in this type of portfolio . But the bar is much higher in the concept and execution of a ...
... Concept Gevelopment Initial Concepts In early concepts I explored how to balance the wide aperture into a comfortably sized handheld device . The button layout was also explored in this stage . 6909 Concept one Concept two Concept three ...
... concept - and to keep you mixing too many ideas . But it is only a starting point - the good bones that flesh out with a con- cept . The concept is the visual way you express ... concept blunders What can go wrong in a concept CONCEPT 203.