Jane Austen and Samuel Johnson |
From inside the book
Results 1-3 of 9
Page 16
... leads to important conclusions about the parodic and realistic dimensions of the novel . First , Jane Austen's burlesque goes far beyond parody of mere literary form -- whether Gothic or sentimental -- to expose fully what Samuel ...
... leads to important conclusions about the parodic and realistic dimensions of the novel . First , Jane Austen's burlesque goes far beyond parody of mere literary form -- whether Gothic or sentimental -- to expose fully what Samuel ...
Page 23
... leads when the young heroine informs her friends that " something very shocking indeed , will soon come out in London , that she does not know " who is the author , " that it is to be " more horrible than any thing we have met with yet ...
... leads when the young heroine informs her friends that " something very shocking indeed , will soon come out in London , that she does not know " who is the author , " that it is to be " more horrible than any thing we have met with yet ...
Page 100
... leads Mrs. John Dashwood to conclude that her husband's relatives will be much more able to assist them instead ! In comparison with the opening episode , how- ever , the major part of Sense and Sensibility does not realistically ...
... leads Mrs. John Dashwood to conclude that her husband's relatives will be much more able to assist them instead ! In comparison with the opening episode , how- ever , the major part of Sense and Sensibility does not realistically ...
Contents
Jane Austen and Samuel Johnson | 1 |
Imagination in Northanger Abbey | 15 |
Hardship Recollection | 37 |
Copyright | |
3 other sections not shown
Other editions - View all
Common terms and phrases
Anne's artistic attention believe Benwick Bingley Boswell Catherine Catherine's imagination comic conduct cousins critical Darcy Darcy's Dashwood deception discipline dramatic duty Edmund eighteenth-century Eleanor Elinor Elizabeth Bennet Emma's essays example explores fancy Fanny Price Fanny's feeling Frank Churchill fully habit Harriet Henry Henry's heroine human Ian Watt ideas Idler imag imaginary irony Jane Austen Jane Austen's fiction Jane Austen's novels Johnsonian moral judgment Knightley Lady Bertram letter Mansfield Park Maria Marianne Marianne's marriage Marvin Mudrick Mary Crawford memory mind Miss Bates moral character moral principle moralist Mudrick nature never Norris Northanger Abbey observes Oxford pain Persuasion pleasure Portsmouth Pride and Prejudice R. W. Chapman Rambler Rasselas rational reason recognize recollection reminds romance Rushworth Samuel Johnson self-deception self-knowledge Sense and Sensibility sermons Sir Thomas sister Sotherton suffering Susan thing Tilney tion Tom Jones truth Univ vanity Walton Litz Wentworth Wickham