In the form of an image the object is absorbed into the subject instead of following the bidding of the alienated world and persisting obdurately in a state of reification. The contradiction between the object reconciled in the subject, ie, spontaneously... Modernism and Mourning - Page 45edited by - 2007 - 310 pagesLimited preview - About this book
| Ernst Bloch - Philosophy - 1980 - 228 pages
...reality which veils its own essence and suppresses its truth in favour of a merely classificatory order. Art and reality can only converge if art crystallizes...not by passively accepting objects as they come. In art knowledge is aesthetically mediated through and through. Even alleged cases of solipsism, which... | |
| Hilde Hein, Carolyn C. Korsmeyer - Philosophy - 1993 - 272 pages
...of commodity reification, because art "aims at a dialectical reconciliation of subject and object. In the form of an image the object is absorbed into...contradiction between the object reconciled in the subject . . . and the actual unreconciled object in the outside world, confers on the work of art a vantage-point... | |
| Karl Kroeber, Gene W. Ruoff - Poetry - 1993 - 520 pages
..."Reconciliation Under Duress," in Aesthetics and Politics (London. 1977); see especially pp. 159-160: "Art and reality can only converge if art crystallizes...not by passively accepting objects as they come. In art knowledge is aesthetically mediated through and through. ... In the form of an image the object... | |
| Greg Dawes - Poetry - 1993 - 252 pages
...Lukacsian aesthetics is that it assumes a homology between art and reality that — according to Adorno — "can only converge if art crystallizes out its own...not by passively accepting objects as they come." 18 Adorno maintains a dialectical interplay between the subject and the object, while Lukacs erects... | |
| Michael Richardson - Social Science - 2001 - 189 pages
...and oneself as interpenetrating realities. It is this point that Adorno latches on to in showing how Art and reality can only converge if art crystallizes...laws, not by passively accepting objects as they come' (1977: 160). Where Lukacs saw the modern attitude, at least the modernist reaction against realism,... | |
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