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Subject Versus Object
Presentation and Interpretation
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according actions actors aesthetic Antony appearance approach artistic aspects attempt audience ballet basic become beginning body century changes Chapter character Christine codes communication concerned conventions costumes created cultural dance death described developed directed director dominant drama Dumas effect elements emotional encoded event example experience expression fact fictional final function gestures give hand hermeneutical human important interest interpretation kind language Lear light live meaning method movements nature Nora object opera original performance analysis Phantom play possible practice presented production question reception reference relation relationship role scene seen semiotic significance signs society sound space specific spectator stage stands Stockholm structure Studies style theatre theatrical theme theory tion turn understanding University voice whole