Understanding Theatre: Performance Analysis in Theory and Practice

actors Adèle Adèle's aesthetic Alexandre Dumas Antony approach apron stage artistic aspects attempt Audience Research auditorium ballet Ballet Russe basic behaviour century Chapter character Christine codes Comédie-Française concerned context conventions costumes cultural dance Diaghilev director doll's house dominant Don Juan drama dramatic text Dumas elements emotional encoded actions Erika Fischer-Lichte exhibitory actions experience expression fictional world film filmic final function gaze genre gestures hermeneutical important interpretation intra-theatrical Jacqueline Martin Lear Lear's mance Marat/Sade Marianne Hoppe meaning mise en scène movements Nijinski Nora Nora's object opera Pavis perception performance analysis performative actions Phantom play presented production Prologue question Raoul relation relationship rhythm Robert Wilson role s/he Sade Sauter scene scenography semiotic significance signs space spectator spectator's stage Stockholm Studies Stockholm University structure Studies in Stockholm style Theatre Studies theatrical communication theatrical event theatrical performance theme Thorvald tion understanding vectors voice whole Wilson's