Omphale. Two women, at the parting of two ways, Met the young Herakles at morning prime: One clad austerely, with clear upward gaze Beheld the secrets of eternal days, And saw beyond the riddle of sick time; The other wooed him with a wantonness Of splendour far beyond his young desire, He turned to her who did not need to woo: The path was straight and pearly with the dew, The other sobbed "She leaves thee with no guide, Yet answered, "She will meet me at the end." The man through toil and peril followed on, Till on a day his mighty knees were bowed, Where neither dew nor any footsteps shone, And only dust came up where he had gone, And all the sky was grey without a cloud. Also the way was broken down before, Nor might a man go forward without wings, Unless he entered at an open door, Whereon these words were writ, mid many more Less plain, "Ye enter here the heart of things." Within the door he saw a walled wood, Beyond he saw the old path leading straight He saw her then; among the Gods on high He looked for her in vain, till Hebe smiled He never knew how much he was beguiled When through the door he hurried, in new haste, Up the smooth path, which did not seem to swerve, As far as eyes less eager could have traced, Toward the austerely smiling upland waste, Its slowly treacherous length of subtle curve. Indeed, none standing at the door might say If the old path were broken there, or men Gaze at the goal, and then mount up again. The woodland path was pleasant to the feet, And yet, withal, the wood was full of fear, Him, who tramped on, and waked no couchant deer, At last the wood was over, he might stand To draw new breath, and look for some new sign Where parti-coloured tilths of hollow land Sloped upward soberly on either hand To low hills terraced for the lowly vine. And here the busy people went and came, Each with his load, and none regarded him, For every man was sick with smothered care, The club of Herakles seemed idle there, He marvelled to what end his arm was strong, Where there was nought for him to mar or make, The fruitful fellowship of settled toil. So, through the press where he was most alone, Hungry and faint, forgetful of his deeds, And more than half forgetful of his choice, Uprooting, half in spite the wayside weeds, Hopeless of helping strange, unvoiceful needs, Ripe for the greeting of a woman's voice, Whose open house closed up the weedy track, As if they mourned their souls, they left there, dead. But he, unknowing this, began to trace Beneath brown hair, in dim grey linen rolled, The stony lines of a grave gentle face, Too calm for wrinkles, and too worn for grace, Too patient to be counted young or old. She met his look with level leaden eyes, Heedless to woo, to beckon, or to thrill, Uncovetous indeed of any prize : "Sit down," she said "while you have strength to rise. The muffled voice spake to his inmost will. Then, for she saw him fain of such control, Because the lion's skin was stained and torn, She brought him women's raiment clean and whole, Saying, "In my house my other women spin," Kindly, incuriously they made him room. The nearest reached a spindle from the wall, There he sat on and span where he was set, The promise of those others to his youth. Omphale promised nothing, hardly spoke To feel he grew familiar with her yoke, To Hebe, through the malness and the fire. Zelda's Fortune. CHAPTER XI. THE OLD WOMAN AND THE WATER. HAD been ashamed to receive Lord Lisburn in a room that was a palace compared with the abode into which Mrs. Goldrick, on my saying that I had business with her, guided me. As a medical man, I had not failed to see poverty in most of its forms, but here was something I had never seen. No one but a miser, I felt sure, could prefer such a dwelling-place to the workhouse or to chance barns-which are at any rate furnished with straw. The house itself was falling to pieces with damp and rottenness, and in the room which evidently served as the kitchen and sitting-room -to judge from a few chair-legs smouldering in the grate-there was not even a stool to sit down upon. The woman herself had well won the character given her by the curate-she was gaunt, haggard, and grim to the last degree: her eyes were dim and clouded as if the daylight was painful to them, and there was a stony expression not only about her face but her whole figure, as though she had been petrified by misery, or by misanthropy, or by crime. I felt myself in the presence of one who had to conceal some terrible history, to which a very few ineffaceable traces of statuesque beauty and a certain unconscious ease and repose of bearing added a striking dignity, although her shoulders stooped and she was clothed in tatters of which a beggar would have been ashamed. I had not become a critical student of pictures for nothing, and so marked was |