 | 1823 - 588 pages
...which formed the finale of the Exhibition, was that representing thij region of the fallen angels, with Satan arraying his troops on the banks of the Fiery Lake, and the rising- of the Palace of PandEernonium, as described by the pen of Milton. De Loutherbourg had... | |
 | William Henry Pyne - Authors, English - 1824 - 686 pages
...scene, which formed the finale of the exhibition, was that representing the region of the fallen angels, with Satan arraying his troops on the banks of the Fiery Lake, and the rising of the Palace of Pandaemonium, as described by the pen of Milton. De Loutherbourg had already... | |
 | American periodicals - 1821 - 370 pages
...which formed the finale of the exhihition, was that representing the region of the fallen angels, wiih Satan arraying his troops on the banks of the Fiery Lake, and the rising of the Palace of Paudaemoinnni, as described by the pen of Milton. De Loutherbourg had already... | |
 | Bruce Redford - Travel - 1996 - 156 pages
...program was inaugurated, which began with "The Sun rising in the Fog, an Italian Seaport," and ended with "Satan arraying his Troops on the Banks of the Fiery Lake, with the Raising of Pandemonium, from Milton." The inclusion of a scene from Paradise Lost appears... | |
 | Edward Chaney - Americans - 2000 - 454 pages
...and London, 19961, pp. 1u8.11. In January 1782, de Loutherbourg concluded his theatrical programme with 'Satan arraying his Troops on the Banks of the Fiery Lake, with the Raising of Pandemonium, from Milton'. Given the apparently Miltonic content of the spectacle... | |
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But the most impressive scene, which formed the finale of the exhibition, was that representing the region of the fallen angels, with Satan arraying his troops on the banks of the Fiery Lake, and the rising of the Palace of Pandaemonium, as described... 