The Life of J.M.W. Turner,: ... Founded on Letters and Papers Furnished by His Friends and Fellow Academicians. By Walter Thornbury. In Two Volumes, Volume 1Hurst and Blackett, Publishers, successors to Henry Colburn, 13, Great Marlborough Street, 1862 - 425 pages |
From inside the book
Results 1-5 of 20
Page 41
... rising above it . The old Savoy of Turner's childhood is gone . But old Lambeth Palace , from which he made his first drawing for the Academy , exists , with its smirched brick towers and the dim grey lantern chapel , just as when ...
... rising above it . The old Savoy of Turner's childhood is gone . But old Lambeth Palace , from which he made his first drawing for the Academy , exists , with its smirched brick towers and the dim grey lantern chapel , just as when ...
Page 100
... rising , he wisely abstained from doing them . And now I must devote a short chapter more especially to that ill - fated young genius , Girtin , a painter far too little appreciated , and who deserves to rank highest among English ...
... rising , he wisely abstained from doing them . And now I must devote a short chapter more especially to that ill - fated young genius , Girtin , a painter far too little appreciated , and who deserves to rank highest among English ...
Page 137
... rising ground , when he will have a large horizon , and mark his tablet into three divisions downwards from the top to the bottom , and divide in his own mind the landscape he is to take , into three divisions also . Then let him turn ...
... rising ground , when he will have a large horizon , and mark his tablet into three divisions downwards from the top to the bottom , and divide in his own mind the landscape he is to take , into three divisions also . Then let him turn ...
Page 138
... rising ground , make the nearest objects in the piece the highest , and those that are further off to shoot away lower and lower , till they come almost level with the line of horizon , lessening everything proportionably with its ...
... rising ground , make the nearest objects in the piece the highest , and those that are further off to shoot away lower and lower , till they come almost level with the line of horizon , lessening everything proportionably with its ...
Page 145
... rising genius for colour . About 1795 , the mode of working water - colours began to change . The monochrome was abandoned , the local colour was laid on at once on its proper spot , and shadowed and tinted with graduated tones varied ...
... rising genius for colour . About 1795 , the mode of working water - colours began to change . The monochrome was abandoned , the local colour was laid on at once on its proper spot , and shadowed and tinted with graduated tones varied ...
Common terms and phrases
Abbey admirable afterwards architectural artist artist's proofs barber beautiful blue boats born Brentford Bridge Calais Carthage Castle Claude clouds Coast colour copy Covent Garden Cozens dark Dayes death died distance early effect England English engraver eyes father figures foreground Gallery Garden genius Girtin grey guineas Hearne hills imitation Italy J. M. W. TURNER lake landscape Liber light lived London looking Lord Loutherbourg Maiden-lane Malton Margate mezzotint mind mountain Munro never numbers once painter Palace Paul Sandby pencil perhaps Petworth picture Plague of Egypt plates portrait proofs river Rome Royal Academy ruins Ruskin sails says scene scenery Scott seen shadows ship Sir Charles Eastlake sketch-books sketches skies Somerset House studies sunset Téméraire Thames tints touch tour trees Trimmer Turner exhibited Turner painted Twickenham Ulysses Venice visited water-colour drawings yellow Yorkshire
Popular passages
Page 300 - Last noon beheld them full of lusty life, Last eve in beauty's circle proudly gay ; The midnight brought the signal-sound of strife, The morn the marshalling in arms — the day Battle's magnificently stern array ! The thunder-clouds close o'er it, which when rent The earth is covered thick with other clay, Which her own clay shall cover, heaped and pent, Rider and horse — friend, foe, — in one red burial blent...
Page 320 - Thou art the garden of the world, the home Of all Art yields, and Nature can decree ; Even in thy desert, what is like to thee ? Thy very weeds are beautiful, thy waste More rich than other climes' fertility : Thy wreck a glory, and thy ruin graced With an immaculate charm which cannot be defaced.
Page 191 - Such dusky grandeur clothed the height, Where the huge castle holds its state, And all the steep slope down, Whose ridgy back heaves to the sky, Piled deep and massy, close and high, Mine own romantic town...
Page 192 - Hath rent a strange and shatter'd way Through the rude bosom of the hill, And that each naked precipice, Sable ravine, and dark abyss, Tells of the outrage still. The wildest glen, but this, can show Some touch of Nature's genial glow; On high Benmore green mosses grow, And heath-bells bud in deep...
Page 192 - But here, — above, around, below, On mountain or in glen, Nor tree, nor shrub, nor plant, nor flower, Nor ought of vegetative power, The weary eye may ken.
Page 187 - Cowdenknowes,' the pastoral valley of the Leader, and the bleak wilderness of Lammermoor. To the eastward the desolate grandeur of Hume Castle breaks the horizon, as the eye travels towards the range of the Cheviot. A few miles westward, Melrose, " like some tall rock with lichens grey...
Page 161 - But the most impressive scene, which formed the finale of the exhibition, was that representing the region of the fallen angels, with Satan arraying his troops on the banks of the Fiery Lake, and the rising of the Palace of Pandaemonium, as described by the pen of Milton.
Page 337 - Temeraire: so that these four ships formed as compact a tier as if they had been moored together, their heads lying all the same way. The lieutenants of the Victory...
Page 225 - Cupid in attendance; and if it had wings like a dove, to flee away and be at rest, the rest would not be the worse for the change. Thorwaldsten is closely engaged on the late Pope's (Pius VII.) monument. Portraits of the superior animal, man, is to be found in all. In some the inferior — viz., greyhounds and poodles, cats and monkeys, &c.
Page 155 - I do not know in what district of England Turner first or VOL. I.— 13 longest studied, but the scenery whose influence I can trace most definitely throughout his works, varied as they are, is that of Yorkshire.