Devouring InstitutionsMichael Hardin Essays by 13 authors, including Robert Mazzola, Carol Siegel, and Svetlana Mintcheva. Sections include "Writing between Madness and Paralysis," "Building the Body of Desires," "Attacking Language" and "Post-Plagiarism." With an introduction by the editor and a primary and secondary bibliography of Acker's work. . |
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Page 90
Michael Hardin. This practice has no addressee ; no subject , even a split one , can understand it . Such a practice does not address itself at all ; it sweeps along everything that belongs to the same space of practice .... It does not ...
Michael Hardin. This practice has no addressee ; no subject , even a split one , can understand it . Such a practice does not address itself at all ; it sweeps along everything that belongs to the same space of practice .... It does not ...
Page 236
... practice . Linda Hutcheon traces the etymology of the word " parody , " from the Greek noun " par- odia , " containing " para " ( " counter " or " against " ) and " odos " ( " song " ) . I point out the word's history to emphasize what ...
... practice . Linda Hutcheon traces the etymology of the word " parody , " from the Greek noun " par- odia , " containing " para " ( " counter " or " against " ) and " odos " ( " song " ) . I point out the word's history to emphasize what ...
Page 247
... practice today of what may be called pastiche " ( 64 ) . For Jameson , pastiche “ is a neutral practice of such mim- icry , without any of parody's ulterior motives , amputated of the satiric impulse .... Pastiche is thus blank parody ...
... practice today of what may be called pastiche " ( 64 ) . For Jameson , pastiche “ is a neutral practice of such mim- icry , without any of parody's ulterior motives , amputated of the satiric impulse .... Pastiche is thus blank parody ...
Contents
The Paralyzing Tensions of Radical Art in a | 47 |
BUILDING | 67 |
A Kaleidoscopic | 85 |
Copyright | |
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