Devouring InstitutionsMichael Hardin Essays by 13 authors, including Robert Mazzola, Carol Siegel, and Svetlana Mintcheva. Sections include "Writing between Madness and Paralysis," "Building the Body of Desires," "Attacking Language" and "Post-Plagiarism." With an introduction by the editor and a primary and secondary bibliography of Acker's work. . |
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Page 201
... Eurydice as " U - turn " is furthermore whimsically suggestive perhaps of the fact that Eurydice's narrative functions to return the gaze , or to deconstruct mainstream dramatic visuality and to evoke the return of " the real as such ...
... Eurydice as " U - turn " is furthermore whimsically suggestive perhaps of the fact that Eurydice's narrative functions to return the gaze , or to deconstruct mainstream dramatic visuality and to evoke the return of " the real as such ...
Page 205
... Eurydice in the Underworld , Blanchot's theo- rizations , then , ( specifically about death being present in language , about the " torment [ or tragedy ] of language " being " what it lacks , " and about Eurydice being the aim of art ) ...
... Eurydice in the Underworld , Blanchot's theo- rizations , then , ( specifically about death being present in language , about the " torment [ or tragedy ] of language " being " what it lacks , " and about Eurydice being the aim of art ) ...
Page 206
... Eurydice in the Underworld the classical roles of Orpheus and Eurydice are both reinscribed and in provocative ways also undone . In the text's first and , relatively speaking , theatrically conven- tional section , although Eurydice is ...
... Eurydice in the Underworld the classical roles of Orpheus and Eurydice are both reinscribed and in provocative ways also undone . In the text's first and , relatively speaking , theatrically conven- tional section , although Eurydice is ...
Contents
The Paralyzing Tensions of Radical Art in a | 47 |
BUILDING | 67 |
A Kaleidoscopic | 85 |
Copyright | |
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