The Rise of English Literary Prose |
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Page 5
... style . Riming passages occur occasionally , but they are not frequent or long enough to disturb the prose intention . Alliteration is used , sometimes rather markedly , as in the phrase " fortroden under the feet of felonous folk ...
... style . Riming passages occur occasionally , but they are not frequent or long enough to disturb the prose intention . Alliteration is used , sometimes rather markedly , as in the phrase " fortroden under the feet of felonous folk ...
Page 9
... style on the whole , thanks perhaps to Chaucer's efforts to adapt it to a child of ten , is simple and much more idiomatic than the style of the translation from Boethius . The work was popular in Chaucer's day , as is shown by the ...
... style on the whole , thanks perhaps to Chaucer's efforts to adapt it to a child of ten , is simple and much more idiomatic than the style of the translation from Boethius . The work was popular in Chaucer's day , as is shown by the ...
Page 12
... style was not pedantically learned , nor was Langland's extravagantly archaic or popu- lar . The most striking characteristic of Langland which distinguishes him from Chaucer , the characteristic also which connects him directly with ...
... style was not pedantically learned , nor was Langland's extravagantly archaic or popu- lar . The most striking characteristic of Langland which distinguishes him from Chaucer , the characteristic also which connects him directly with ...
Page 15
... style is not that of the scholar or the refined artist . Langland probably never sub- mitted himself to the severe discipline in versification which Chaucer's early experiments in ballades and complaints illustrate . Discipline was not ...
... style is not that of the scholar or the refined artist . Langland probably never sub- mitted himself to the severe discipline in versification which Chaucer's early experiments in ballades and complaints illustrate . Discipline was not ...
Page 17
... style naturally going together . Broad picturesque phrases abound , as in the de- scription of Sir Harvey , the covetous man , " bitelbrowed and baberlipped , " his beard beslobbered , like a bondman's , with his bacon ; 13 or when ...
... style naturally going together . Broad picturesque phrases abound , as in the de- scription of Sir Harvey , the covetous man , " bitelbrowed and baberlipped , " his beard beslobbered , like a bondman's , with his bacon ; 13 or when ...
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Common terms and phrases
alliteration alliterative verse answer appeared Arcadia Ascham Bacon bishop character Chaucer chronicle church Cicero contemporary controversy courtly death declares defends Dialogue didacticism dignified discussion doctrine edition Elizabethan eloquence England English Bible English prose Euphues Euphuistic expression feeling followed French Gabriel Harvey Greek hath Henry VIII Hooker Ibid interest Jack Upland John kind Langland language later Latin learned lish literary Lollards London Lyly Lyly's Marprelate tracts Martin medieval ment merely method mind moral More's narrative Nashe nature never opinion original ornament passages Pecock phrasing picturesque Piers Plowman Plutarch poetry Polydore Vergil popular Prayer Book preachers preaching pulpit Puritan reader Reformation rhetorical romance says scholar scriptures seems sentence sermons Sidney simple sixteenth century speaks speech spirit story style stylistic Testament Thomas Nashe thou thought Tindale Tindale's tion tracts tradition translation treatises truth various verse vocabulary Wiclif words writing written
Popular passages
Page 435 - O eloquent, just, and mighty Death! whom none could advise, thou hast persuaded; what none hath dared, thou hast done; and whom all the world hath flattered, thou only hast cast out of the world and despised: thou hast drawn together all the far-stretched greatness, all the pride, cruelty, and ambition of man, and covered it all over with these two narrow words, Hie jacet.
Page x - ... what a province he had undertaken against the Bishop of Rome and the degenerate traditions of the church, and finding his own solitude, being no ways aided by the opinions of his own time, was enforced to awake all antiquity, and to call former times to his...
Page 543 - Learning, that of Henry VII., that of the Essays, being retractate, and made more perfect, well translated into Latin by the help of some good pens, which forsake me not. For these modern languages will, at one time or other, play the bankrupts with books : and since I have lost much time with this age, I would be glad, as God shall give me leave, to recover it with posterity.
Page 136 - The general and perpetual voice of men is as the sentence of God himself. For that which all men have at all times learned, Nature herself must needs have taught; and God being the author of Nature, her voice is but his instrument.
Page 135 - ... creatures, and especially his holy angels. For beholding the face of God, in admiration of so great excellency they all adore him ; and being rapt with the love of his beauty, they cleave inseparably for ever unto him. Desire to resemble him in goodness maketh *> them unweariable and even unsatiable in their longing to do by all means all manner good unto all the creatures of God, but especially unto the children of men...
Page 422 - Nay, madam, he is a doctor; never rack his person, but rack his style: let him have pen, ink, and paper, and help of books, and be enjoined to continue the story where it breaketh off, and I will undertake, by collating the styles, to judge whether he were the author or no...
Page 367 - This say I because I know the virtue so ; and this say I because it may be ever so, or, to say better, because it will be ever so. Read it, then, at your idle times, and the follies your good...
Page x - Martin Luther, conducted no doubt by an higher providence, but in discourse of reason, finding what a province he had undertaken against the bishop of Rome, and the degenerate traditions of the church...
Page 21 - In some place I shall set word for word, and active for active, and passive for passive, a-row right as it standeth, without changing of the order of words. But in some place I must change the order of words, and set active for passive, and again-ward. And in some place I must set a reason for a word, and tell what it meaneth. But for all such changing, the meaning shall stand and not be changed.