I As we know, Heyst had gone to stay in Schomberg's hotel in complete ignorance that his person was odious to that worthy. When he arrived, Zangiacomo's Ladies' Orchestra had been established there for some time. The business which had called him out from his seclusion in his lost corner of the Eastern seas was with the Tesmans, and it had something to do with money. He transacted it quickly, and then found himself with nothing to do while he awaited Davidson, who was to take him back to his solitude; for back to his solitude Heyst meant to go. He whom we used to refer to as the Enchanted Heyst was suffering from thorough disenchantment. Not with the islands, however. The Archipelago has a lasting fascination. It is not easy to shake off the spell of island life. Heyst was disenchanted with life as a whole. His scornful temperament, beguiled into action, suffered from failure in a subtle way unknown to men accustomed to grapple with the realities of common human enterprise. It was like the gnawing pain of useless apostasy, a sort of shame before his own betrayed nature; and, in addition, he also suffered from plain, downright remorse. He deemed himself guilty of Morrison's death. A rather absurd feeling, since no one could possibly have foreseen the horrors of the cold, wet summer lying in wait for poor Morrison at home. It was not in Heyst's character to turn morose; but his mental state was not compatible with a sociable he doesn'T Care for This element called grandiloquently "my concert-hall." In his desperate mood Heyst ascended three steps, lifted a calico curtain, and went in. The uproar in that small, barn-like structure, built of imported pine boards, and raised clear of the ground, was simply stunning. An instrumental uproar, screaming, grunting, whining, sobbing, scraping, squeaking some kind of lively air; while a grand piano, operated upon by a bony, red-faced woman with bad-tempered nostrils, rained hard notes like hail through the tempest of fiddles. The small platform was filled with white muslin dresses and crimson sashes slanting from shoulders provided with bare arms, which sawed away without respite. Zangiacomo conducted. He wore a white mess-jacket, a black dress waistcoat, and white trousers. His longish, tousled hair and his great beard were purple-black. He was horrible. The heat was terrific. There were perhaps thirty people having drinks at several little tables. Heyst, quite overcome by the volume of noise, dropped into a chair. In the quick time of that music, in the varied, piercing clamour of the strings, in the movements of the bare arms, in the low dresses, the coarse faces, the stony eyes of the executants, there was a suggestion of brutality-something cruel, sensual and repulsive. "This is awful!" Heyst murmured to himself. But there is an unholy fascination in systematic noise. He did not flee from it incontinently, as one might have expected him to do. He remained, astonished at himself for remaining, since nothing could have been more repulsive to his tastes, more painful to his senses, and, so to speak, more contrary to his genius, than this rude exhibition of vigour. The Zangiacomo band was not making music; it was simply murdering silence with a vulgar, ferocious energy. One felt as if witnessing a deed of violence; and that impression was so strong that it seemed marvellous to see the poeple sitting so quietly on their chairs, drinking so calmly out of their glasses, and giving no signs of distress, anger or fear. Heyst averted his gaze from the unnatural spectacle of their indifference. When the piece of music came to an end, the relief was so great that he felt slightly dizzy, as if a chasm of silence had yawned at his feet. When he raised his eyes, the audience, most perversely, was exhibiting signs of animation and interest in their faces, and the women in white muslin dresses were coming down in pairs from the platform into the body of Schomberg's "concert-hall." They dispersed themselves all over the place. The male creature with the hooked nose and purple-black beard disappeared somewhere. This was the interval during which, as the astute Schomberg had stipulated, the members of the orchestra were encouraged to favour the members of the audience with their company-that is, such members as seemed inclined to fraternize with the arts in a familiar and generous manner; the symbol of familiarity and generosity consisting in offers of refreshment. The procedure struck Heyst as highly incorrect. However, the impropriety of Schomberg's ingenious scheme was defeated by the circumstance that most of the women were no longer young, and that none of them had ever been beautiful. Their more or less worn cheeks were slightly rouged; but apart from that fact, which might have been simply a matter of routine, they did not seem to take the success of the scheme unduly to heart. The impulse to fraternize with the arts being obviously weak in the audience, some of the musicians sat down listlessly at unoccupied tables, while others went on perambulating the central passage arm in arm, glad enough, no doubt, to stretch their legs while resting their arms. Their crimson sashes gave a factitious touch of gaiety to the smoky atmosphere of the concert-hall; and Heyst felt a sudden pity for these beings, exploited, hopeless, devoid of charm and grace, whose fate of cheerless dependence invested their coarse and joyless features with a touch of pathos. Heyst was temperamentally sympathetic. To have them passing and repassing close to his little table was painful to him. He was preparing to rise and go out when he noticed that two white muslin dresses and crimson sashes had not yet left the platform. One of these dresses concealed the raw-boned frame of the woman with the bad-tempered curve to her nostrils. She was no less a personage than Mrs. Zangiacomo. She had left the piano, and, with her back to the hall, was preparing the parts for the second half of the concert, with a brusque, impatient action of her ugly elbows. This task done, she turned, and, perceiving the other white muslin dress motionless on a chair in the second row, she strode towards it between the music-stands with an aggressive and masterful gait. On the lap of that dress there lay, unclasped and idle, a pair of small hands, not very white, attached to well-formed arms. The next detail Heyst was led to observe was the arrangement of the hair-two thick brown tresses rolled round an attractively shaped head. "A girl, by Jove!" he exclaimed mentally. It was evident that she was a girl. It was evident in the outline of the shoulders, in the slender white bust springing up, barred slantwise by the crimson sash, from the bell-shaped spread of muslin skirt hiding the chair on which she sat averted a little from the body of the hall. Her feet, in low white shoes, were crossed prettily. She had captured Heyst's awakened faculty of observation; he had the sensation of a new experience. That was because his faculty of observation had never before been captured by any feminine creature in that marked and exclusive fashion. He looked at her anxi another man; and he He had lost touch with ously, as no man ever looks at positively forgot where he was. his surroundings. The big woman, advancing, concealed the girl from his sight for a moment. She bent over the seated youthful figure, in passing it very close, as if to drop a word into its ear. Her lips did certainly move. But what sort of word could it have been to make the girl jump up so swiftly? Heyst, at his table, was surprised into a sympathetic start. He glanced quickly round. Nobody was looking towards the platform; and when his eyes swept back there again, the girl, with the big woman treading at her heels, was coming down the three steps from the platform to the floor of the hall. There she paused, stumbled one pace forward, and stood still again, while the other the escort, the dragoon, the coarse big woman of the piano-passed her roughly, and, marching truculently down the centre aisle between the chairs and tables, went out to rejoin the hook-nosed Zangiacomo somewhere outside. During her extraordinary transit, as if everything in the hall were dirt under her feet, her scornful eyes met the upward glance of Heyst, who looked away at once towards the girl. She had not moved. Her arms hung down; her eyelids were lowered. Heyst laid down his half-smoked cigar and compressed his lips. Then he got up. It was the same sort of impulse which years ago had made him cross the sandy street of the abominable town of Delli in the island of Timor and accost Morrison, practically a |