Sculpture and the Pursuit of a Modern Ideal in Britain, C. 1880-1930

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Ashgate, 2004 - Art - 331 pages
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Beginning in the last decades of the nineteenth century, Britain experienced a renewed interest in the art of sculpture. Sculpture and the Pursuit of a Modern Ideal in Britain is the first anthology of its kind to discuss the developments in three-dimensional art in this period. Sculptors and critics put forth competing ideals for a new, modern view of sculpture, either adapting or rejecting tradition. The eleven essays in this volume discuss a wide range of styles and approaches, examining the cultural, political, and artistic debates surrounding the place and function of sculpture. With new studies of high-profile monuments such as the Piccadilly Eros, as well as examinations of under-acknowledged sculptors, this volume presents a series of case studies essential to an understanding of why and how sculpture played a central role in the emergence of modern art in Britain.

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About the author (2004)

David J. Getsy is Andrew W. Mellon Postdoctoral Fellow of the Leslie Center for the Humanities and Department of Art History, Dartmouth College, and editor of "Sculpture and the Pursuit of a Modern Ideal in Britain, c. 1880-1930."""

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