An Essay on English Poetry: With Notices of the British Poets |
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... nature of his task , and others to the imperfect information of the period . The first edition of Mr. Campbell's work appeared in 1819 , in 7 vols . 8vo . , and the second in 1841 , in one thick volume 8vo . PETER CUNNINGHAM ...
... nature of his task , and others to the imperfect information of the period . The first edition of Mr. Campbell's work appeared in 1819 , in 7 vols . 8vo . , and the second in 1841 , in one thick volume 8vo . PETER CUNNINGHAM ...
Page 2
... nature of language , as well as from the doubt , with regard to dates , which hangs over the small number of specimens of the early tongue which we possess . Mr. Ellis fixes upon a period of about forty years , pre- ceding the accession ...
... nature of language , as well as from the doubt , with regard to dates , which hangs over the small number of specimens of the early tongue which we possess . Mr. Ellis fixes upon a period of about forty years , pre- ceding the accession ...
Page 13
... nature tradi- tive . Introd . to Warton's Hist . , p . 92. ] t [ Various theories have been proposed for the purpose of explaining the origin of romantic fiction . Percy contended for a Scandinavian , Warton for an Arabian , and Leyden ...
... nature tradi- tive . Introd . to Warton's Hist . , p . 92. ] t [ Various theories have been proposed for the purpose of explaining the origin of romantic fiction . Percy contended for a Scandinavian , Warton for an Arabian , and Leyden ...
Page 28
... nature , the most powerfully calculated to arrest the public attention ; and poetry was not deficient in contributing its influence to expose those abuses , both as subjects of ridicule and of serious indignation . Two poets of this ...
... nature , the most powerfully calculated to arrest the public attention ; and poetry was not deficient in contributing its influence to expose those abuses , both as subjects of ridicule and of serious indignation . Two poets of this ...
Page 32
... nature . In this new species of romance , we perceive the youthful Muse of the language in love with mystical ... natural style of Boccaccio , and from him he derived the hint of a subject * in which , besides his own original portraits ...
... nature . In this new species of romance , we perceive the youthful Muse of the language in love with mystical ... natural style of Boccaccio , and from him he derived the hint of a subject * in which , besides his own original portraits ...
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Common terms and phrases
admiration afterwards amidst amusing ancient appear ballad beauty Ben Jonson biographer Born century certainly character Chaucer church circumstances comedy court Cowper Creusa death Died drama Dryden Earl eclogues Edinburgh edition England English English poetry entitled exhibits expression fancy father feeling fiction Fletcher French gave genius Gorboduc grace Henry honour humour imagination imitation interest Jonson Joseph Warton King Lady language Layamon letters literary lived London Lord manners married Milton mind Mirror for Magistrates moral Muse native nature night Oxford passage passion period pieces poem poet poet's poetical poetry Pope probably prose published Queen racter reign returned rhyme Robert of Gloucester romance satire Saxon says scene Scotland Scottish seems Shakspeare Sir Walter Scott Spenser spirit story style supposed Surrey taste Thomas Thomas Warton thought tion tragedy translation verse versifier Warton William writer written wrote Xuthus
Popular passages
Page 111 - He scarce had ceased, when the superior fiend Was moving toward the shore: his ponderous shield, Ethereal temper, massy, large, and round, Behind him cast; the broad circumference Hung on his shoulders like the moon, whose orb Through optic glass the Tuscan artist views, At evening, from the top of Fesole, Or in Valdarno, to descry new lands, Rivers, or mountains, in her spotty globe.
Page 112 - Farewell the tranquil mind ! Farewell content ! Farewell the plumed troop, and the big wars, That make ambition virtue ! O, farewell ! Farewell the neighing steed, and the shrill trump, The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Page 114 - But clear and artless pouring through the plain Health to the sick, and solace to the swain. Whose causeway parts the vale with shady rows ? Whose seats the weary traveller repose ? Who taught that heaven-directed spire to rise ? " The Man of Ross," each lisping babe replies. Behold the market-place with poor o'erspread ! The Man of Ross...
Page 397 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.
Page 67 - I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid; his comic wit degenerating into clenches, his serious swelling into bombast. But he is always great when some great occasion is presented to him; no man can say he ever had a fit subject for his wit, and did not then raise himself as high above the rest of poets *Quantum lenta solent inter viburna cupressi.
Page 115 - All things are hush'd as Nature's self lay dead, The mountains seem to nod their drowsy head : The little birds in dreams their songs repeat, And sleeping flowers beneath the night dews sweat. Even lust and envy sleep...
Page 112 - Idalia's velvet-green has something of cant. An epithet or metaphor drawn from Nature ennobles Art; an epithet or metaphor drawn from Art degrades Nature.
Page 96 - GATHER ye rosebuds while ye may, Old Time is still a-flying; And this same flower that smiles to-day, To-morrow will be dying. The glorious lamp of heaven, the sun, The higher he's a-getting, The sooner will his race be run, And nearer he's to setting. That age is best which is the first, When youth and blood are warmer; But being spent, the worse and worst Times still succeed the former.
Page 328 - His best companions, innocence and health; And his best riches, ignorance of wealth. But times are alter'd; trade's unfeeling train Usurp the land and dispossess the swain; Along the lawn, where scatter'd hamlets rose, Unwieldy wealth and cumbrous pomp repose; And every want to luxury allied, And every pang that folly pays to pride.
Page 114 - What modes of sight betwixt each wide extreme, The mole's dim curtain and the lynx's beam ! Of smell, the headlong lioness between And hound sagacious on the tainted green ! Of hearing, from the life that fills' the flood To that which warbles through the vernal wood ! The spider's touch, how exquisitely fine ! Feels at each thread, and lives along the line...