pt. 1. Of general principles. pt. 2. Of truthJ. Wiley & son, 1888 - Aesthetics |
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Page xxiii
... trees only for the last week , and bases his critical remarks chiefly on his practical experience of birch . More disinterested than our friend Sancho , he would disenchant the public from the magic of Turner by virtue of his own ...
... trees only for the last week , and bases his critical remarks chiefly on his practical experience of birch . More disinterested than our friend Sancho , he would disenchant the public from the magic of Turner by virtue of his own ...
Page xlvi
... trees therein , we will send for some fiddlers , and get up a dance , and a picnic party . It will be found , throughout the picture , that the same spe- cies of improvement is made on the materials which Claude had ready to his hand ...
... trees therein , we will send for some fiddlers , and get up a dance , and a picnic party . It will be found , throughout the picture , that the same spe- cies of improvement is made on the materials which Claude had ready to his hand ...
Page lxxi
... trees . Their branches do not taper , but only divide ..... 385 § 3. Appearance of tapering caused by frequent buds ... § 4. And care of nature to conceal the parallelism ...... 385 383 § 5. The degree of tapering which may be ...
... trees . Their branches do not taper , but only divide ..... 385 § 3. Appearance of tapering caused by frequent buds ... § 4. And care of nature to conceal the parallelism ...... 385 383 § 5. The degree of tapering which may be ...
Page 23
... tree sky - blue , or a dog rose - pink , the dis- cernment of the public would be keen enough to discover the falsehood ... trees be all bright green , and flesh unbroken buff , and ground unbroken brown , though all the real and refined ...
... tree sky - blue , or a dog rose - pink , the dis- cernment of the public would be keen enough to discover the falsehood ... trees be all bright green , and flesh unbroken buff , and ground unbroken brown , though all the real and refined ...
Page 55
... trees in the forest whose boughs bend into the same network , nor two leaves on the same tree which could not be told one from the other , nor two waves in the sea exactly alike . And out of this mass of various , yet agreeing beauty ...
... trees in the forest whose boughs bend into the same network , nor two leaves on the same tree which could not be told one from the other , nor two waves in the sea exactly alike . And out of this mass of various , yet agreeing beauty ...
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Common terms and phrases
aerial perspective Albert Durer altogether appear architecture artist beauty blue boughs Canaletto character chiaroscuro Claude clouds color colorists conception Copley Fielding dark degree delicate distance distinct drawing edge effect especially evident expression exquisite faculty false farther feeling foliage foreground Gallery Gentile Bellini Giorgione give given gray hills ideal ideas imagination imitation impossible impression instance Italy J. M. W. Turner kind landscape art landscape painters less light and shade lines look mass means mind mist modern mountain nature necessary ness never Nicholas Poussin object observed old masters painting peculiar perception perfect Perugino picture pleasure Poussin present principles proportion pure qualities receive reflection rendered respect Rivers of France rock seen sense shadow space sublime surface things thought Tintoret tion Titian tone touch trees truth ture Turner unity Venice visible whole
Popular passages
Page 17 - And he took up his parable and said, Balaam the son of Beor hath said, and the man whose eyes are open hath said...
Page 365 - From God who is our home. Heaven lies about us in our infancy. Shades of the prison-house begin to close Upon the growing boy; But he beholds the light and whence it flows, He sees it in his joy. The youth who daily farther from the East Must travel, still is Nature's priest, And, by the vision splendid, Is on his way attended. At length the man perceives it die away And fade into the light of common day.
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Page 165 - All has passed, unregretted as unseen; or if the apathy be ever shaken off, even for an instant, it is only by what is gross, or what is extraordinary; and yet it is not in the broad and fierce manifestations of the elemental energies, not in the clash of the hail, nor the drift of the whirlwind, that the highest characters of the sublime are developed. God is not in the earthquake, nor in the fire, but in the still, small voice.
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Page 48 - O Proserpina, For the flowers now that frighted thou let'st fall From Dis's waggon! daffodils That come before the swallow dares, and take The winds of March with beauty; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath; pale primroses, That die unmarried, ere they can behold Bright Phoebus in his strength...
Page 47 - Horatio; a fellow of infinite jest, of most excellent fancy. He hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
Page 49 - Who is she that looketh forth as the morning, fair as the moon, clear as the sun, and terrible as an army with banners?
Page 51 - Thanks to its tenderness, its joys, and fears, To me the meanest flower that blows can give Thoughts that do often lie too deep for tears.