pt. 1. Of general principles. pt. 2. Of truthJ. Wiley & son, 1888 - Aesthetics |
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Page lvi
... proportion to their natural sensibility to what is beautiful ...... 52 52 53 54 4. Connected with a perfect state of moral feeling . § 5. And of the intellectual powers ..... .... § 6. How sight depends upon previous knowledge ...
... proportion to their natural sensibility to what is beautiful ...... 52 52 53 54 4. Connected with a perfect state of moral feeling . § 5. And of the intellectual powers ..... .... § 6. How sight depends upon previous knowledge ...
Page 2
... proportion as the merits of the work are of a higher order . From these few the decision is communicated to the number next below them in rank of mind , and by these again to a wider and lower circle ; each rank being so far cog- nizant ...
... proportion as the merits of the work are of a higher order . From these few the decision is communicated to the number next below them in rank of mind , and by these again to a wider and lower circle ; each rank being so far cog- nizant ...
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... proportion to its independency of language or expression . A composition is indeed usually most perfect , when to such in- trinsic dignity is added all that expression can do to attract and adorn ; but in every case of supreme ...
... proportion to its independency of language or expression . A composition is indeed usually most perfect , when to such in- trinsic dignity is added all that expression can do to attract and adorn ; but in every case of supreme ...
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... proportion to the supposed expenditure of time and exertion . These are , indeed , powers of a low order , yet the pleasure arising from the conception of them enters very largely indeed into our admiration of all elaborate ornament ...
... proportion to the supposed expenditure of time and exertion . These are , indeed , powers of a low order , yet the pleasure arising from the conception of them enters very largely indeed into our admiration of all elaborate ornament ...
Page 16
... proportion to its own dig- nity and exertion ; and the faculty of perceiving this exertion , and appreciating this dignity , is the faculty of perceiving excel- lence . tion " by many CHAPTER IV . OF IDEAS OF 16 [ PART I OF IDEAS OF POWER .
... proportion to its own dig- nity and exertion ; and the faculty of perceiving this exertion , and appreciating this dignity , is the faculty of perceiving excel- lence . tion " by many CHAPTER IV . OF IDEAS OF 16 [ PART I OF IDEAS OF POWER .
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Common terms and phrases
aerial perspective Albert Durer altogether appear architecture artist beauty blue boughs Canaletto character chiaroscuro Claude clouds color colorists conception Copley Fielding dark degree delicate distance distinct drawing edge effect especially evident expression exquisite faculty false farther feeling foliage foreground Gallery Gentile Bellini Giorgione give given gray hills ideal ideas imagination imitation impossible impression instance Italy J. M. W. Turner kind landscape art landscape painters less light and shade lines look mass means mind mist modern mountain nature necessary ness never Nicholas Poussin object observed old masters painting peculiar perception perfect Perugino picture pleasure Poussin present principles proportion pure qualities receive reflection rendered respect Rivers of France rock seen sense shadow space sublime surface things thought Tintoret tion Titian tone touch trees truth ture Turner unity Venice visible whole
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