pt. 1. Of general principles. pt. 2. Of truthJ. Wiley & son, 1888 - Aesthetics |
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Page xiv
... pleasure of knowing that in many instances its principles have carried with them a strength of conviction amounting to a demonstra- tion of their truth , and that , even where it has had no other in- fluence , it has excited interest ...
... pleasure of knowing that in many instances its principles have carried with them a strength of conviction amounting to a demonstra- tion of their truth , and that , even where it has had no other in- fluence , it has excited interest ...
Page xv
... pleasure , and are then most liberal of eulogium when it can no longer be enjoyed . They grudge not the whiteness of the sepulchre , because by no honor they can bestow upon it can the senseless corpse be rendered an object of envy ...
... pleasure , and are then most liberal of eulogium when it can no longer be enjoyed . They grudge not the whiteness of the sepulchre , because by no honor they can bestow upon it can the senseless corpse be rendered an object of envy ...
Page liv
... pleasure attendant on conquering difficulties is right ..... 16 CHAPTER IV . - Of Ideas of Imitation . 66 § 1. False use of the term imitation " by many writers on art .... § 2. Real meaning of the term ...... 17 18 § 3. What is ...
... pleasure attendant on conquering difficulties is right ..... 16 CHAPTER IV . - Of Ideas of Imitation . 66 § 1. False use of the term imitation " by many writers on art .... § 2. Real meaning of the term ...... 17 18 § 3. What is ...
Page lv
... pleasure in execution ... 37 § 8. Yet even the legitimate sources of pleasure in execution are inconsistent with each other ....... .......... 38 § 9. And fondness for ideas of power leads to the adoption of the lowest ..... § 10 ...
... pleasure in execution ... 37 § 8. Yet even the legitimate sources of pleasure in execution are inconsistent with each other ....... .......... 38 § 9. And fondness for ideas of power leads to the adoption of the lowest ..... § 10 ...
Page 4
... pleasure to read them ; and there are parts in them which to such judges cannot but be vapid or ridiculous . Most works of the highest art , -those of Raffaelle , M. Angelo , or Da Vinci , -stand as Shakspeare does , —that which is ...
... pleasure to read them ; and there are parts in them which to such judges cannot but be vapid or ridiculous . Most works of the highest art , -those of Raffaelle , M. Angelo , or Da Vinci , -stand as Shakspeare does , —that which is ...
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Common terms and phrases
aerial perspective Albert Durer altogether appear architecture artist beauty blue boughs Canaletto character chiaroscuro Claude clouds color colorists conception Copley Fielding dark degree delicate distance distinct drawing edge effect especially evident expression exquisite faculty false farther feeling foliage foreground Gallery Gentile Bellini Giorgione give given gray hills ideal ideas imagination imitation impossible impression instance Italy J. M. W. Turner kind landscape art landscape painters less light and shade lines look mass means mind mist modern mountain nature necessary ness never Nicholas Poussin object observed old masters painting peculiar perception perfect Perugino picture pleasure Poussin present principles proportion pure qualities receive reflection rendered respect Rivers of France rock seen sense shadow space sublime surface things thought Tintoret tion Titian tone touch trees truth ture Turner unity Venice visible whole
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Page 47 - Horatio; a fellow of infinite jest, of most excellent fancy. He hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! my gorge rises at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? your gambols? your songs? your flashes of merriment, that were wont to set the table on a roar?
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