Samuel Ferguson and the Culture of Nineteenth-century IrelandSamuel Ferguson (1810-86) was one of 19th-century Ireland's most influential writers, but his politics and cultural agenda have never been fully understood. This book draws on his neglected prose writings to illuminate his layered ideology, and to expose his various determining contexts, including his native Belfast and its Scottish Enlightenment hinterland, the Dublin University Magazine with its fraught literary-political protocol, the communities of the Ordnance Survey Commission, the Nation, and the Royal Irish Academy. Ferguson's guiding agenda is shown to be that of a civic idealism - a grassroots alternative to polarized political trajectories and a compelling ethos for a conflicted Irish Protestantism. The result is both a portrait of an individual in his time and a detailed engagement with Irish cultural politics from the Union to the Revival. |
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Page 15
... offered an attractive via media for a dichotomous society , and arguably , provided the Protestant professionals of nineteenth - century Dublin with fixed co - ordinates amidst the flux of national politics . If it failed to displace ...
... offered an attractive via media for a dichotomous society , and arguably , provided the Protestant professionals of nineteenth - century Dublin with fixed co - ordinates amidst the flux of national politics . If it failed to displace ...
Page 69
... offered her 1789 Reliques of Irish poetry ' to throw some light on the antiquities of this country ' to the Catholic J.J. Callanan whose 1823 translations in Blackwood's were presented , he avowed , ' more as literary curiosi- ties than ...
... offered her 1789 Reliques of Irish poetry ' to throw some light on the antiquities of this country ' to the Catholic J.J. Callanan whose 1823 translations in Blackwood's were presented , he avowed , ' more as literary curiosi- ties than ...
Page 115
... offered this prelude Ferguson continues by enumerating the virtues of Davis which qualify him for inclusion in the ' Portrait gallery ' series . The first and most important fact of his Protestantism is expanded upon at length : the ...
... offered this prelude Ferguson continues by enumerating the virtues of Davis which qualify him for inclusion in the ' Portrait gallery ' series . The first and most important fact of his Protestantism is expanded upon at length : the ...
Contents
ACKNOWLEDGMENTS | 7 |
Scotland Ulster and the Hibernian nightsentertainments | 29 |
The Irish Minstrelsy review 1834 | 52 |
Copyright | |
7 other sections not shown
Common terms and phrases
Adam Ferguson aesthetic affiliation amateur antiquarian antiquities aristocracy Ascendancy Attractions of Ireland authority barristers Belfast Blackwood British Celtic century Charles Gavan Duffy church Cited civil classical context critical Denman discourse Dublin University Magazine economic Edinburgh eighteenth-century élite engagement English established Four Masters Gaelic Gandon George Petrie Gothic revival Hardiman review Hibernian nights ideological imperial intellectual interest Irish cultural Irish Minstrelsy Isaac Butt landscape Larcom letter literary literature M.C. Ferguson middle-class moral nineteenth nineteenth-century O'Donovan Ordnance Survey patriotism Petrie's philosophy picturesque poem poet poetry political Presbyterian professional Protestant Ascendancy Protestant Repeal Association Protestantism published relationship Repeal Association response Royal Irish Academy Ruskin Scotland Scottish Enlightenment sentiments Sir Samuel Ferguson social society SSFID Stones of Venice style suggests Thomas Davis tion topographical tradition translations Union United Irishmen urban Victorian William William Drennan writing wrote Young Ireland