Samuel Ferguson and the Culture of Nineteenth-century IrelandSamuel Ferguson (1810-86) was one of 19th-century Ireland's most influential writers, but his politics and cultural agenda have never been fully understood. This book draws on his neglected prose writings to illuminate his layered ideology, and to expose his various determining contexts, including his native Belfast and its Scottish Enlightenment hinterland, the Dublin University Magazine with its fraught literary-political protocol, the communities of the Ordnance Survey Commission, the Nation, and the Royal Irish Academy. Ferguson's guiding agenda is shown to be that of a civic idealism - a grassroots alternative to polarized political trajectories and a compelling ethos for a conflicted Irish Protestantism. The result is both a portrait of an individual in his time and a detailed engagement with Irish cultural politics from the Union to the Revival. |
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Page 19
... feeling aroused for the first time in many Irish legal appren- tices who were obliged to travel to London to complete a year's terms at the English Bar . In addition , the combination of high social expectation and low income peculiar ...
... feeling aroused for the first time in many Irish legal appren- tices who were obliged to travel to London to complete a year's terms at the English Bar . In addition , the combination of high social expectation and low income peculiar ...
Page 54
... feeling of mutual compatibility between Protestant and Catholic , thereby neutralizing the threat posed by a separatist Celtic identity as a basis for Catholic insurrection . Like Deane , Leerssen has some praise for Ferguson's skills ...
... feeling of mutual compatibility between Protestant and Catholic , thereby neutralizing the threat posed by a separatist Celtic identity as a basis for Catholic insurrection . Like Deane , Leerssen has some praise for Ferguson's skills ...
Page 67
... feeling ' . Through the process of translation all indications of a national , ' subterranean ' character have been erased , and Hardiman is held responsible for versions which obscure rather than tes- tify to the essence of national ...
... feeling ' . Through the process of translation all indications of a national , ' subterranean ' character have been erased , and Hardiman is held responsible for versions which obscure rather than tes- tify to the essence of national ...
Contents
ACKNOWLEDGMENTS | 7 |
Scotland Ulster and the Hibernian nightsentertainments | 29 |
The Irish Minstrelsy review 1834 | 52 |
Copyright | |
7 other sections not shown
Common terms and phrases
Adam Ferguson aesthetic affiliation amateur antiquarian antiquities aristocracy Ascendancy Attractions of Ireland authority barristers Belfast Blackwood British Celtic century Charles Gavan Duffy church Cited civil classical context critical Denman discourse Dublin University Magazine economic Edinburgh eighteenth-century élite engagement English established Four Masters Gaelic Gandon George Petrie Gothic revival Hardiman review Hibernian nights ideological imperial intellectual interest Irish cultural Irish Minstrelsy Isaac Butt landscape Larcom letter literary literature M.C. Ferguson middle-class moral nineteenth nineteenth-century O'Donovan Ordnance Survey patriotism Petrie's philosophy picturesque poem poet poetry political Presbyterian professional Protestant Ascendancy Protestant Repeal Association Protestantism published relationship Repeal Association response Royal Irish Academy Ruskin Scotland Scottish Enlightenment sentiments Sir Samuel Ferguson social society SSFID Stones of Venice style suggests Thomas Davis tion topographical tradition translations Union United Irishmen urban Victorian William William Drennan writing wrote Young Ireland