Samuel Ferguson and the Culture of Nineteenth-century IrelandSamuel Ferguson (1810-86) was one of 19th-century Ireland's most influential writers, but his politics and cultural agenda have never been fully understood. This book draws on his neglected prose writings to illuminate his layered ideology, and to expose his various determining contexts, including his native Belfast and its Scottish Enlightenment hinterland, the Dublin University Magazine with its fraught literary-political protocol, the communities of the Ordnance Survey Commission, the Nation, and the Royal Irish Academy. Ferguson's guiding agenda is shown to be that of a civic idealism - a grassroots alternative to polarized political trajectories and a compelling ethos for a conflicted Irish Protestantism. The result is both a portrait of an individual in his time and a detailed engagement with Irish cultural politics from the Union to the Revival. |
From inside the book
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Page 23
... Royal Irish Academy and on the other by an extensive Irish and European network of fellow antiquarian enthusiasts . It was primarily through his antiquarian work that Ferguson established a supportive community of colleagues and fellow ...
... Royal Irish Academy and on the other by an extensive Irish and European network of fellow antiquarian enthusiasts . It was primarily through his antiquarian work that Ferguson established a supportive community of colleagues and fellow ...
Page 170
... Royal Irish Academy ? The 1836 articles on Ireland show that Ferguson was quick to resort to the alumni of the ... Irish cultural life . Its scholars were portrayed in the same light of patriotic endeavour , inspired by a kind of ...
... Royal Irish Academy ? The 1836 articles on Ireland show that Ferguson was quick to resort to the alumni of the ... Irish cultural life . Its scholars were portrayed in the same light of patriotic endeavour , inspired by a kind of ...
Page 171
... Academy grew in stature and reputation , it came to rely on three fundamental elements for continued success ; the strength of its acquisitions in manuscripts and museum artefacts , the publication of its official ... Royal Irish Academy 171.
... Academy grew in stature and reputation , it came to rely on three fundamental elements for continued success ; the strength of its acquisitions in manuscripts and museum artefacts , the publication of its official ... Royal Irish Academy 171.
Contents
ACKNOWLEDGMENTS | 7 |
Scotland Ulster and the Hibernian nightsentertainments | 29 |
The Irish Minstrelsy review 1834 | 52 |
Copyright | |
7 other sections not shown
Common terms and phrases
Adam Ferguson aesthetic affiliation amateur antiquarian antiquities aristocracy Ascendancy Attractions of Ireland authority barristers Belfast Blackwood British Celtic century Charles Gavan Duffy church Cited civil classical context critical Denman discourse Dublin University Magazine economic Edinburgh eighteenth-century élite engagement English established Four Masters Gaelic Gandon George Petrie Gothic revival Hardiman review Hibernian nights ideological imperial intellectual interest Irish cultural Irish Minstrelsy Isaac Butt landscape Larcom letter literary literature M.C. Ferguson middle-class moral nineteenth nineteenth-century O'Donovan Ordnance Survey patriotism Petrie's philosophy picturesque poem poet poetry political Presbyterian professional Protestant Ascendancy Protestant Repeal Association Protestantism published relationship Repeal Association response Royal Irish Academy Ruskin Scotland Scottish Enlightenment sentiments Sir Samuel Ferguson social society SSFID Stones of Venice style suggests Thomas Davis tion topographical tradition translations Union United Irishmen urban Victorian William William Drennan writing wrote Young Ireland