A School History of English Literature, Volume 1 |
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Page 15
... French , each in its turn absorbed into a whole , wherein all these divers qualities are still , as it were , held in solution , and uniting there to form a single spirit , flexible and richly endowed , with infinite capabilities for ...
... French , each in its turn absorbed into a whole , wherein all these divers qualities are still , as it were , held in solution , and uniting there to form a single spirit , flexible and richly endowed , with infinite capabilities for ...
Page 18
... French critics of the eighteenth century condemned every tragedy which did not precisely con- form to the so - called tragic unities of place and time . And on the other hand , it is safe to say that it does not mean merely the ...
... French critics of the eighteenth century condemned every tragedy which did not precisely con- form to the so - called tragic unities of place and time . And on the other hand , it is safe to say that it does not mean merely the ...
Page 33
... French became the official language and also the language of polite society ; English fell to be merely the speech ... French until the time of Edward III . ( 1272-1307 ) ; letters , even private ones , were written in Latin until about ...
... French became the official language and also the language of polite society ; English fell to be merely the speech ... French until the time of Edward III . ( 1272-1307 ) ; letters , even private ones , were written in Latin until about ...
Page 34
... French Chronicles are all written in rimed verse . The first English writing after the Conquest is due to the ... French troubadour , translated Geoffrey's History of the Britons into French verse . He made additions of his own , chiefly ...
... French Chronicles are all written in rimed verse . The first English writing after the Conquest is due to the ... French troubadour , translated Geoffrey's History of the Britons into French verse . He made additions of his own , chiefly ...
Page 35
... French version of Geoffrey of Monmouth's history . Layamon employs both alliteration and rime in his verse , but it has much more in common with the songs of the old English Chronicles than with the poems of Langland and Chaucer . He ...
... French version of Geoffrey of Monmouth's history . Layamon employs both alliteration and rime in his verse , but it has much more in common with the songs of the old English Chronicles than with the poems of Langland and Chaucer . He ...
Other editions - View all
A School History of English Literature, Vol. 1: Chaucer to Marlowe (Classic ... Elizabeth Lee No preview available - 2018 |
A School History of English Literature, Vol. 1: Chaucer to Marlowe (Classic ... Elizabeth Lee No preview available - 2017 |
Common terms and phrases
Æneid allegory Ascham ballad beauty Bible Cædmon Cæsar called Canterbury Canterbury Tales Canto Caxton century character Chaucer Chronicle Church classical cloth comedy court Crown 8vo death drama dramatists Dream Dunbar E. K. Chambers Earl Edited Edward Elizabethan England English literature English poetry Euphues F'cap 8vo Faery Queen fame French Gavin Douglas Gorboduc Greek heart Henry honour Hooker House of Fame Italian Julius Cæsar king Knight's Tale lady Langland language Latin Layamon learning lines literary living London Lydgate Lyly Marlowe Marlowe's metre Milton Mirror for Magistrates modern morality night Oxford Petrarch play poem poet popular printed prologue prose published rimes romance satire School Scotland Scottish Shakespeare Shepherds Sidney Sidney's song sonnet Spenser spirit stanza story style Surrey sweet tale Tamburlaine tells things thou tion tongue tragedy translation Troilus and Cressida verse wife women words writing written wrote
Popular passages
Page 11 - Three years she grew in sun and shower, Then Nature said, " A lovelier flower On earth was never sown ; This Child I to myself will take ; She shall be mine, and I will make A Lady of my own. " Myself will to my darling be Both law and impulse : and with me The Girl, in rock and plain, In earth and heaven, in glade and bower, Shall feel an overseeing power To kindle or restrain.
Page 144 - AND is there care in heaven ? and is there love In heavenly spirits to these creatures base, That may compassion of their evils move ? There is...
Page 145 - How oft do they their silver bowers leave, To come to succour us that succour want ! How oft do they with golden pinions cleave The flitting skies like flying pursuivant, Against foul fiends to aid us militant ! They for us fight ; they watch and duly ward, And their bright squadrons round about us plant ; And all for love and nothing for reward : Oh why should heavenly God to men have such regard) THE SEASONS.
Page 190 - Had fed the feeling of their masters' thoughts, And every sweetness that inspired their hearts, Their minds, and muses on admired themes ; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein, as in a mirror, we perceive The highest reaches of a human wit ; If these had made one poem's period, And all combined in beauty's worthiness, Yet should there hover in their restless heads One thought, one grace, one wonder, at the least, Which into words no virtue can...
Page 164 - ... cometh to you with words set in delightful proportion, either accompanied with, or prepared for, the well-enchanting skill of music; and with a tale, forsooth, he cometh unto you, with a tale which holdeth children from play and old men from the chimney corner...
Page 61 - Or call up him that left half told The story of Cambuscan bold, Of Camball, and of Algarsife, And who had Canace to wife, That own'd the virtuous ring and glass, And of the wondrous horse of brass, On which the Tartar king did ride...
Page 121 - Gamoens soothed an exile's grief; The Sonnet glittered a gay myrtle leaf Amid the cypress with which Dante crowned His visionary brow : a glow-worm lamp, It cheered mild Spenser, called from Faery-land To struggle through dark ways ; and when a damp Fell round the path of Milton, in his hand...
Page 193 - I must have wanton poets, pleasant wits, Musicians, that with touching of a string May draw the pliant king which way I please: Music and poetry is his delight; Therefore I'll have Italian masks by night, Sweet speeches, comedies, and pleasing shows...
Page 164 - Only the poet, disdaining to be tied to any such subjection, lifted up with the vigour of his own invention, doth grow in effect into another nature, in making things either better than Nature bringeth forth, or, quite anew - forms such as never were in Nature...
Page 67 - Is lightened ; that serene and blessed mood In which the affections gently lead us on, Until the breath of this corporeal frame, And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul : While with an eye made quiet by the power Of harmony and the deep power of joy, We see into the life of things.