Instruct his family in every rule,

And send his wife to church, his son to school.
To worship like his fathers, was his care;
To teach their frugal virtues to his heir;
To prove that luxury could never hold;
And place, on good security, his gold.
Now times are changed, and one poetic itch
Has seized the court and city, poor and rich:
Sons, sires, and grandsires, all will wear the bays,
Our wives read Milton, and our daughters plays,
To theatres, and to rehearsals throng,
And all our grace at table is a song.

I, who so oft renounce the muses, lie,

Not -'s self e'er tells more fibs than I;
When sick of Muse, our follies we deplore,
And promise our best friends to rhyme no more;
We wake next morning in a raging fit,
And call for pen and ink to show our wit.

He served a prenticeship, who sets up shop;
Ward tried on puppies, and the poor, his drop;
Even Radcliffe's doctors travel first to France,
Nor dare to practise till they've learned to dance.
Who builds a bridge that never drove a pile?
(Should Ripley venture, all the world would smile;)
But those who cannot write, and those who can,
All rhyme, and scrawl, and scribble, to a man.

Yet, Sir, reflect, the mischief is not great;
These madmen never hurt the church or state:
Sometimes the folly benefits mankind;
And rarely avarice taints the tuneful mind.
Allow him but his plaything of a pen,
He ne'er rebels, or plots, like other men:
Flight of cashiers, or mobs, he'll never mind;
And knows no losses while the Muse is kind.
To cheat a friend, or ward, he leaves to Peter,
The good man heaps up nothing but mere metre,
Enjoys his garden and his book in quiet;
And then-a perfect hermit in his diet.

Of little use the man you may suppose
Who says in verse what others say in prose;
Yet let me show, a poet's of some weight,
And (though no soldier) useful to the state.

What will a child learn sooner than a song?
What better teach a foreigner the tongue?
What's long or short, each accent where to place,
And speak in public with some sort of grace?
I scarce can think him such a worthless thing,
Unless he praise some monster of a king;
Or virtue, or religion turn to sport,
To please a lewd, or unbelieving Court.
Unhappy Dryden!-In all Charles's days,
Roscommon only boasts unspotted bays;
And in our own (excuse some courtly stains)
No whiter page than Addison remains.

He, from the taste obscene reclaims our youth,
And sets the passions on the side of truth,
Forms the soft bosom with the gentlest art,
And pours each human virtue in the heart.
Let Ireland tell, how wit upheld her cause,
Her trade supported, and supplied her laws;
And leave on Swift this grateful verse engraved,
"The rights a court attacked, a poet saved.'
Behold the hand that wrought a nation's cure,
Stretched to relieve the idiot and the poor,
Proud vice to brand, or injured worth adorn,
And stretch the ray to ages yet unborn.
Not but there are, who merit other palms;
Hopkins and Sternhold glad the heart with psalms:
The boys and girls whom charity maintains,
Implore your help in these pathetic strains:
How could devotion touch the country pews,
Unless the Gods bestowed a proper Muse?

Verse cheers their leisure, verse assists their work,
Verse prays for peace, or sings down Pope and Turk.
The silenced preacher yields to potent strain,
And feels that grace his prayer besought in vain;
The blessing thrills through all the labouring throng,
And Heaven is won by violence of song.

Our rural ancestors, with little blessed,

Patient of labour when the end was rest,

Indulged the day that housed their annual grain, With feasts, and offerings, and a thankful strain: The joy their wives, their sons, and servants share, Ease of their toil, and partners of their care:

The laugh, the jest, attendants on the bowl,
Smoothed every brow, and opened every soul:
With growing years the pleasing licence grew,
And taunts alternate innocently flew.

But times corrupt, and nature, ill-inclined,
Produced the point that left a sting behind;
Till friend with friend, and families at strife,
Triumphant malice raged through private life.
Who felt the wrong, or feared it, took th' alarm,
Appealed to law, and justice lent her arm.

At length, by wholesome dread of statutes bound,
The poets learned to please, and not to wound:
Most warped to flattery's side; but some, more nice,
Preserved the freedom, and forbore the vice.
Hence satire rose, that just the medium hit,
And heals with morals what it hurts with wit.
We conquered France, but felt our captive's charms;
Her arts victorious triumphed o'er our arms;
Britain to soft refinements less a foe,

Wit grew polite, and numbers learned to flow.
Waller was smooth; but Dryden taught to join
The varying verse, the full-resounding line,
The long majestic march, and energy divine.
Though still some traces of our rustic vein,
And splay-foot verse, remained, and will remain.
Late, very late, correctness grew our care,
When the tired nation breathed from civil war.
Exact Racine, and Corneille's noble fire,

Showed us that France had something to admire.
Not but the tragic spirit was our own,

And full in Shakespeare, fair in Otway shone:
But Otway failed to polish or refine,

And fluent Shakespeare scarce effaced a line.
Even copious Dryden wanted, or forgot,
The last and greatest art, the art to blot.
Some doubt, if equal pains, or equal fire
The humbler muse of comedy require.
But in known images of life, I guess
The labour greater, as th' indulgence less.
Observe how seldom even the best succeed:
Tell me if Congreve's fools are fools indeed?

What pert, low dialogue has Farquhar writ!
How Van wants grace, who never wanted wit!
The stage how loosely does Astræa tread,
Who fairly puts all characters to bed!
And idle Cibber, how he breaks the laws,
To make poor Pinky eat with vast applause!
But fill their purse, our poet's work is done,
Alike to them, by pathos or by pun.

Yet lest you think I rally more than teach,
Or praise malignly arts I cannot reach,
Let me for once presume t' instruct the times
To know the poet from the man of rhymes:
'Tis he who gives my breast a thousand pains,
Can make me feel each passion that he feigns;
Enrage, compose, with more than magic art,
With pity, and with terror, tear my heart;
And snatch me, o'er the earth, or through the air,
To Thebes, to Athens, when he will, and where.

FROM THE EPILOGUE TO THE SATIRES

[THE POWER OF THE SATIRIST]

Yes, I am proud; I must be proud to see
Men not afraid of God, afraid of me:
Safe from the bar, the pulpit, and the throne,
Yet touched and shamed by ridicule alone.
O sacred weapon! left for truth's defense,
Sole dread of folly, vice, and insolence!
To all but Heaven-directed hands denied,
The Muse may give thee, but the gods must guide:
Reverent I touch thee! but with honest zeal,
To rouse the watchmen of the public weal;
To virtue's work provoke the tardy hall,
And goad the prelate slumbering in his stall.
Ye tinsel insects! whom a court maintains,
That counts your beauties only by your stains,
Spin all your cobwebs, o'er the eye of day!
The Muse's wing shall brush you all away.

FROM THE DUNCIAD

[THE COLLEGE OF DULNESS]

Close to those walls where Folly holds her throne,
And laughs to think Monroe would take her down,
Where o'er the gates, by his famed father's hand,
Great Cibber's brazen brainless brothers stand,
One cell there is, concealed from vulgar eye,
The cave of Poverty and Poetry.

Keen, hollow winds howl through the bleak recess,
Emblem of music caused by emptiness.

Hence bards, like Proteus long in vain tied down,
Escape in monsters, and amaze the town.
Hence Miscellanies spring, the weekly boast
Of Curll's chaste press and Lintot's rubric post;
Hence hymning Tyburn's elegiac lines;
Hence Journals, Medleys, Mercuries, Magazines,
Sepulchral lies, our holy walls to grace,

And New-year odes, and all the Grub Street race.
In clouded majesty here Dulness shone.
Four guardian Virtues, round, support her throne:
Fierce champion Fortitude, that knows no fears
Of hisses, blows, or want, or loss of ears;

Calm Temperance, whose blessings those partake
Who hunger and who thirst for scribbling sake;
Prudence, whose glass presents th' approaching jail;
Poetic Justice, with her lifted scale,

Where, in nice balance, truth with gold she weighs,
And solid pudding against empty praise.

Here she beholds the chaos dark and deep,
Where nameless somethings in their causes sleep,
Till genial Jacob or a warm third day
Call forth each mass, a poem or a play:

How hints, like spawn, scarce quick in embryo lie;
How new-born nonsense first is taught to cry;
Maggots, half formed, in rhyme exactly meet,
And learn to crawl upon poetic feet.

Here one poor word an hundred clenches makes,
And ductile Dulness new meanders takes;
There motley images her fancy strike,
Figures ill paired, and similes unlike.