The Rhetorical Reader: Consisting of Instructions for Regulating the Voice, with a Rhetorical Notation, Illustrating Inflection, Emphasis, and Modulation; and a Course of Rhetorical Exercises ... |
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Page vii
... expression , which real pathos gives to the voice . Precepts here are only subsidiary helps to genius and sensibility . 3. Before any example or exercise is read to the Teach- er , it should be studied by the pupil . At the time of ...
... expression , which real pathos gives to the voice . Precepts here are only subsidiary helps to genius and sensibility . 3. Before any example or exercise is read to the Teach- er , it should be studied by the pupil . At the time of ...
Page x
... Expression SECT . 9 . Rhetorical Dialogue SECT . 10. The Reading of Poetry CHAP . VII . GESTURE Expression of countenance Attitude Faults of Rhetorical Action 62 Page 54 56 56 JJ3888992823 ⠀⠀ 64 67 68 68 Gesture may want ...
... Expression SECT . 9 . Rhetorical Dialogue SECT . 10. The Reading of Poetry CHAP . VII . GESTURE Expression of countenance Attitude Faults of Rhetorical Action 62 Page 54 56 56 JJ3888992823 ⠀⠀ 64 67 68 68 Gesture may want ...
Page xi
... EXPRESSION 125 125 126 127 29 . 128 30 . 129 129 130 130 33 . Exercise 34. The Victim 36. The African Chief Character of Columbus Irving . 136 Philadelphia Casket . 138 Croly . 138 Bryant . 140 37. Riches of a poor Barber Edinburgh ...
... EXPRESSION 125 125 126 127 29 . 128 30 . 129 129 130 130 33 . Exercise 34. The Victim 36. The African Chief Character of Columbus Irving . 136 Philadelphia Casket . 138 Croly . 138 Bryant . 140 37. Riches of a poor Barber Edinburgh ...
Page 20
... expression . Where a sentence contains a simple thought , without emo- tion of any sort , it requires nothing but proper words , in grammatical order . No principle of rhetoric is concerned in forming such a sentence , and none in ...
... expression . Where a sentence contains a simple thought , without emo- tion of any sort , it requires nothing but proper words , in grammatical order . No principle of rhetoric is concerned in forming such a sentence , and none in ...
Page 27
... expressed ; as ; - He rōde upon a chērūb and dīd flỹ . — I saw a great white thrōne , and him that sat on it . The rising inflection turns the voice upward , or ends higher than it begins . It is heard invariably in the direct question ...
... expressed ; as ; - He rōde upon a chērūb and dīd flỹ . — I saw a great white thrōne , and him that sat on it . The rising inflection turns the voice upward , or ends higher than it begins . It is heard invariably in the direct question ...
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Other editions - View all
The Rhetorical Reader: Consisting of Instructions for Regulating the Voice ... Ebenezer Porter No preview available - 2016 |
The Rhetorical Reader, Consisting of Instructions for Regulating the Voice ... Ebenezer Porter No preview available - 2020 |
The Rhetorical Reader: Consisting of Instructions for Regulating the Voice ... Ebenezer Porter No preview available - 2020 |
Common terms and phrases
accent angel answer antithetic arms articulation behold blessings cadence circumflex close compass dark dead death delivery denote distinction dreadful earth elocution eloquence emotion emphasis emphatic series emphatic stress emphatic words eternal examples EXERCISE expressed falling inflection falling slide father fault feeling fire flames gesture give habits happiness hast hath head hear heard heart heaven Hispaniola hope Hosanna Jesus Julius Cæsar language Lord loud mark Massillon meaning mind never night o'er open vowels pause phatic principle question reader requires the falling rhetorical right hand rising inflection rising slide Rolla rule say unto sense senseless things sentence sentiment servant shining instruments Sidon smile soul sound speak speaker spirit spoken strong syllable tears tell tence thee thing thou thought throne thunder tion tones turn unem uttered voice vowels whole wings
Popular passages
Page 131 - But forasmuch as he had not to pay, his lord commanded him to be sold, and his wife and children, and all that he had, and payment to be made. The servant therefore fell down, and worshipped him, saying; Lord, have patience with me, and I will pay thee all.
Page 131 - The servant therefore fell down and worshipped him, saying, Lord, have patience with me, and I will pay thee all. Then the lord of that servant was moved with compassion, and loosed him, and forgave him the debt.
Page 130 - And when he had sent the multitudes away, he went up into a mountain apart, to pray : and when the evening, was come, he was there alone.
Page 43 - Let as many servants as are under the yoke count their own masters worthy of all honour, that the name of God and His doctrine be not blasphemed. And they that have believing masters, let them not despise them, because they are brethren ; but rather do them service, because they are faithful and beloved, partakers of the benefit.
Page 131 - Then Jesus answered and said, O faithless and perverse generation, how long shall I be with you? how long shall I suffer you? bring him hither to me.
Page 289 - There is a just God who presides over the destinies of nations, and who will raise up friends to fight our battles for us. The battle, sir, is not to the strong alone; it is to the vigilant, the active, the brave.
Page 288 - Sir, we are not weak if we make a proper use of those means which the God of nature hath placed in our power. Three millions of people, armed in the holy cause of liberty, and in such a country as that which we possess, are invincible by any force which our enemy can send against us.
Page 120 - And there was mounting in hot haste: the steed, The mustering squadron, and the clattering car, Went pouring forward with impetuous speed, And swiftly forming in the ranks of war...
Page 287 - I have but one lamp by which my feet are guided, and that is the lamp of experience. I know of no way of judging of the future but by the past.
Page 84 - The style of Dryden is capricious and varied; that of Pope is cautious and uniform. Dryden obeys the motions of his own mind; Pope constrains his mind to his own rules of composition. Dryden is sometimes vehement and rapid; Pope is always smooth, uniform, and gentle.