Modern Painter's Cyclopedia |
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Page 26
... Gold tips and gold dusters for gilders . Blenders for the graining and marbling trades all prize it highly ; nothing has been devised for that purpose that is anywhere equal to badger 26 Modern Painter's Cyclopedia.
... Gold tips and gold dusters for gilders . Blenders for the graining and marbling trades all prize it highly ; nothing has been devised for that purpose that is anywhere equal to badger 26 Modern Painter's Cyclopedia.
Page 45
... gold leaf workers . They are bound in quill and of various sizes grading by numbers from No. I to No. 12. See Fig . 34 . OX HAIR BRUSHES . 26. a . Ox hair flowing varnish brushes are very highly prized by many wood finishers . They are ...
... gold leaf workers . They are bound in quill and of various sizes grading by numbers from No. I to No. 12. See Fig . 34 . OX HAIR BRUSHES . 26. a . Ox hair flowing varnish brushes are very highly prized by many wood finishers . They are ...
Page 55
... gold tip . C. Describe the knotted bonehead badger blender . d . Describe the rounded blenders . 26 . a . 2 CH . COLOR Fig . 41 . Describe the Siberian ox hair flowing var- nish brushes . b . Describe the ox hair flat sign lettering C ...
... gold tip . C. Describe the knotted bonehead badger blender . d . Describe the rounded blenders . 26 . a . 2 CH . COLOR Fig . 41 . Describe the Siberian ox hair flowing var- nish brushes . b . Describe the ox hair flat sign lettering C ...
Page 97
... Gold , platinum , etc. Gold and other metals . used in decorating china can also be bought ready for use in all the shades of the metal and the different alloys . One should also be well supplied with many different sizes of camel's ...
... Gold , platinum , etc. Gold and other metals . used in decorating china can also be bought ready for use in all the shades of the metal and the different alloys . One should also be well supplied with many different sizes of camel's ...
Page 149
... Gold . White lead for base ; add medium chrome yel- low , some good bright French ochre and a very little English vermillion or vermillion red of good tone . Golden brown . French ochre for base ; add orange chrome yellow , lampblack ...
... Gold . White lead for base ; add medium chrome yel- low , some good bright French ochre and a very little English vermillion or vermillion red of good tone . Golden brown . French ochre for base ; add orange chrome yellow , lampblack ...
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Common terms and phrases
adulterant applied artists barytes better blistering bronze brown burnt sienna burnt umber calcimine camel's hair carriage ceiling chrome green clean dark decoration distemper edge finishing fixed oils flat fresco gilding Girth give glass glazing glue gold leaf grainer Gray ground coat imitated inch Indian red iron ivory black japan kinds ladders lampblack lead for base light linseed oil look madder lake marble material medium chrome yellow metal mixed moisture nearly needed oil paint orange chrome yellow painter paragraph pigments plaster prepared priming produce proper Prussian blue putty quantity raw and burnt raw sienna raw umber rubbing second coat shades sign painting sizes sponge stains stencil stippling suit surface thinned tint-how tints tion tone transparent trifle turpentine ultramarine blue usually varnish brushes veining Venetian red wall paper water colors white lead wood zinc white
Popular passages
Page 393 - It certainly is not in good taste to stain woods in colors which do not belong to them, as blues, greens, etc., and while this is a free country, etc., as long as a person is not sent to the penitentiary for committing outrages against nature, nor to insane asylums, it is very probable that the practice will go on undisturbed. But it is vulgarity, to say the least of the practice, and painters should not encourage it.
Page 63 - With all the cheap John sort of plastering that is being done by contractors at a price which would mean a sure loss to them if they used good material, but which must be done so as to make a profit anyhow, many of the surfaces the calciminer has to 'deal with will be found very porous and absorbing...
Page 448 - ... surface. The crepe paper, cheese cloth and burlap also produce fine, simple patterns but slightly different from each other. The heavy muslin when crumpled up into a wad gives an especially pleasing pattern resembling the figure of Spanish leather when done in the burnt umber or Van Dyke brown ovef a ground coat of ivory.
Page 63 - An ideal wall to work upon is one that will be sufficiently hard to have but little suction, nearly but not quite non-absorbent. The patent plastered walls left either in a...