The Vitality of the Arthurian Legend: A SymposiumMette Pors Proceedings of the Twelfth International Symposium organised by the Centre for the Study of Vernacular Literature in the Middle Ages held at the Odense University on 16-17 November 1987. |
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Page 57
... audiences reacted to them . A medieval audience may not have thought of the poet's art as inventio , but it would certainly have appreciated the choice and treatment of material ; a primary audience would certainly have understood any ...
... audiences reacted to them . A medieval audience may not have thought of the poet's art as inventio , but it would certainly have appreciated the choice and treatment of material ; a primary audience would certainly have understood any ...
Page 58
... audience and his characters , enabling the former to stand back and evaluate the latter's behaviour critically and ironically . One of the most important devices Chrétien uses is dramatic irony , for example , establishing parallels ...
... audience and his characters , enabling the former to stand back and evaluate the latter's behaviour critically and ironically . One of the most important devices Chrétien uses is dramatic irony , for example , establishing parallels ...
Page 71
... audience – or audiences - for romance . - Given the fact that they are part of the " Matter of Britain " and therefore , however distantly , reviving a native tradition , the English romances are extra- ordinarily derivative . Nearly ...
... audience – or audiences - for romance . - Given the fact that they are part of the " Matter of Britain " and therefore , however distantly , reviving a native tradition , the English romances are extra- ordinarily derivative . Nearly ...
Contents
An Introduction to the Story of Arthur | 13 |
The Historical Origins of the Arthurian Legend | 25 |
Recent Progress | 45 |
Copyright | |
5 other sections not shown
Common terms and phrases
adventure appears approach Arthurian Legend Arthurian literature Arthurian romance Ashe audience authors battle become beginning Britain British Britons called century characters chivalry Chrétien de Troyes concerned Continuation course court critical death earlier early edition England episode evidence example exist fact field fighting figure French Arthurian Gawain genre Geoffrey gives Grail Green hand hero History human ideal important interest kind King Arthur knight lady Lancelot later literary literature London look Malory material matter meaning medieval mentioned Merlin Middle Ages Middle English Morte narrative origins particular Perceval person poem popular present Press prose prose romances Queen quest question recent referred repetition rhetoric Saxons scholars seems shows story structure suggest texts theme tradition Tristan turn University vols Welsh writing York