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on the history of Cataline, a work which must be classed with the most remarkable of those specimens of literary art in which it has been attempted to illustrate classical scenes, characters, and manners.

In romantic fiction, besides the above works, Mr. Herbert has written for the magazines of this country and Great Britain tales and sketches sufficient to make twenty to thirty stout volumes. The subjects of his best performances have been drawn from the middle ages and from southern Europe, and they display besides very eminent capacities for the historical novel, and a familiarity with the institutions of chivalry and with contemporary manners hardly equaled in any writer of the English language.

In 1839 Mr. Herbert commenced in the New-York Turf Register a series of papers, under the signature of "Frank Forester," from which have grown My Shooting Box, The Warwick Woodlands, Field Sports of the United States and British Provinces, and Fish and Fishing in the United States and British Provinces-works which by the general consent of the sporting world are second to none in their department, in any of the qualities which should distinguish this sort of writing. The principal distinction between these and all other sporting works lies in this, that such works in general treat only of game in the field and flood, and the modes of killing it, while these are in great part natural histories, containing minute and carefully digested accounts of every specie of game, beast, bird, and fish, compiled from Audubon, Wilson, Giraud, Godman, Agassiz, De Kay, and other authorities, besides long disquisitions into their habits, times of migration, breeding, &c., from the personal observation and experience of the author. Any person is at once enabled by

them to distinguish between any two even closely allied species, and to adopt the proper nomenclature, with a knowledge of the reason for it. The sporting precepts are admitted, throughout the western country especially, to be superior to all others, as well as the papers relating to the breaking and the kennel and field management of dogs, &c. The same may be said of what he has written of guns and gunnery. Mr. Herbert has hunted, shot, and fished during the last twenty years in every state of the Union, from Maine to Maryland, south of the great lakes, and from below Quebec to the Sault St. Marie northward of them. Not having visited the southern or south western states, the accounts of sporting in those regions are collected from the writings or oral communications of their best sportsmen, and on these points much valuable new information, especially as to the prairie shooting and the sports of the Rocky Mountains, will be contained in the new edition of the Field Sports to appear in the coming autumn.

Besides his contributions to romantic and sporting literature, Mr. Herbert has written largely in criticism, he has done much as a poet, and his capacities in classical scholarship have been illustrated by some of the finest examples of Greek and Latin translation that have appeared in our time. In the aggregate his works would now make scarcely less than fifty octavo volumes.

As we have intimated, the portrait at the beginning of this article is remarkably good. Mr. Herbert is about five feet ten high, of athletic habits, and an untiring and fast walker; fond, of course, of all field sports, especially horsemanship and shooting, and priding himself upon killing as much if not more game than any other gentleman in the country out of New-York.

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Na story called Edith Linsey, written by | an uncomfortable doubt of the solidity of the

curs the following description of Trenton Falls:

"Trenton Falls is rather a misnomer. I scarcely know what you would call it, but the wonder of nature which bears the name is a tremendous torrent, whose bed, for several miles, is sunk fathoms deep into the earth-a roaring and dashing stream, so far below the surface of the forest in which it is lost, that you would think, as you come suddenly upon the edge of its long precipice, that it was a river in some inner world (coiled within ours, as we in the outer circle of the firmament,) and laid open by some Titanic throe that had cracked clear asunder the crust of this shallow earth.' The idea is rather assisted if you happen to see below you, on its abysmal shore, a party of adventurous travellers; for, at that vast depth, and in contrast with the gigantic trees and rocks, the same number of well-shaped pismires, dressed in the last fashions, and philandering upon your parlor floor, would be about of their apparent size and distinctness.

"They showed me at Eleusis the well by which Proserpine ascends to the regions of day on her annual visit to the plains of Thessaly-but with the genius loci at my elbow in the shape of a Greek girl as lovely as Phryné, my memory reverted to the bared axle of the earth in the bed of this American river, and I was persuaded (looking the while at the feronière of gold sequins on the Phidian forehead of my Katinka) that supposing Hades in the centre of the earth, you are nearer to it by some fathoms at Trenton. I confess I have had, since my first descent into those depths,

globe

can

such a crack in its bottom!

"It was a night to play Endymion, or do any Tomfoolery that could be laid to the charge of the moon, for a more omnipresent and radiant atmosphere of moonlight never sprinkled the wilderness with silver. It was a night in which to wish it might never be day again-a night to be enamored of the stars, and bid God bless them like human creatures on their bright journey-a night to love in, to dissolve in-to do every thing but what night is made forsleep! Oh heaven! when I think how precious is life in such moments; how the aroma-the celestial bloom and flower of the soul-the yearning and fast-perishing enthusiasm of youth-waste themselves in the solitude of such nights on the senseless and unanswering air; when I wander alone, unloving and unloved, beneath influences that could inspire me with the elevation of a seraph, were I at the ear of a human creature that could summon forth and measure my limitless capacity of devotion-when I think this, and feel this, and so waste my existence in vain yearnings-I could extinguish the divine spark within me like a lamp on an unvisited shrine, and thank Hea ven for an assimilation to the animals I walk among! And that is the substance of a speech I

made to Job as a sequitur of a well-meant remark of his own, that it was a pity Edith Linsey was not there.' He took the clause about the 'animals' to himself, and I made an apology for the same a year after. We sometimes give our friends, quite innocently, such terrible knocks in our rhapsodies!

"Most people talk of the sublimity of Tren

ton, but I have haunted it by the week together for its mere loveliness. The river, in the heart of that fearful chasm, is the most varied and beautiful assemblage of the thousand forms and shapes of running water that I know in the world. The soil and the deep-striking roots of the forest terminate far above you, looking like a black rim on the inclosing precipices; the bed of the river and its sky-sustaining walls are of solid rock, and, with the tremendous descent of the stream-forming for miles one continuous succession of falls and rapids-the channel is worn into curves and cavities which throw the clear waters into forms of inconceivable brilliancy and variety. It is a sort of half twilight below, with here and there a long beam of sunshine reaching down to kiss the lip of an eddy or form a rainbow over a fall, and the reverberating and changing echoes:

"Like a ring of bells whose sound the wind still alters,' maintain a constant and most soothing music, varying at every step with the varying phase of the current. Cascades of from twenty to thirty feet, over which the river flies with a single and hurrying leap (not a drop missing from the glassy and bending sheet), occur frequently as you ascend; and it is from these that the place takes its name. But the falls, though beautiful, are only peculiar from the dazzling and unequaled rapidity with which the waters come to the leap. If it were not for the leaf which drops wavering down into the abysm from trees apparently painted on the sky, and which is caught away by the flashing current as if the lightning had suddenly crossed it, you would think the vault of the steadfast heavens a flying element as soon. The spot in that long gulf of beauty that I

best remember is a smooth descent of some hundred yards, where the river in full and undivided volume skims over a plane as polished as a table of scagliola, looking, in its invisible speed, like one mirror of gleaming but motionless crystal. Just above, there is a sudden turn in the glen which sends the water like a catapult against the opposite angle of the rock, and, in the action of years, it has worn out a cavern of unknown depth, into which the whole mass of the river plunges with the abandonment of a flying fiend into hell, and, reappearing like the angel that has pursued him, glides swiftly but with divine serenity on its way. (I am indebted for that last figure to Job, who travelled with a Milton in his pocket, and had a natural redolence of 'Paradise Lost' in his conversation.)

"Much as I detest water in small quantities (to drink), I have a hydromania in the way of lakes, rivers, and waterfalls. It is, by much, the belle in the family of the elements. Earth is never tolerable unless disguised in green. Air is so thin as only to be visible when she borrows drapery of water; and Fire is so staringly bright as to be unpleasant to the eyesight; but water! soft, pure, graceful water! there is no shape into which you can throw her that she does not seem lovelier than before. She can borrow nothing of her sisters. Earth has no jewels in her lap so brilliant as her own spray pearls and emeralds; Fire has no rubies like what she steals from the sunset; Air has no robes like the grace of her finewoven and ever-changing drapery of silver. A health (in wine!) to WATER!

"Who is there that did not love some stream in his youth? Who is there in whose vision of the past there does not sparkle up, from every picture of childhood, a spring or a rivu

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lent woven throngh the darkened and torn woof of first affections like a thread of unchanged silver? How do you interpret the instinctive yearning with which you search for the river-side or the fountain in every scene of nature-the clinging unaware to the river's course when a truant in the fields in Junethe dull void you find in every landscape of which it is not the ornament and the centre? For myself, I hold with the Greek: "Water is the first principle of all things: we were made from it and we shall be resolved into it." Of subsequent visits to this loveliest of spots, years after, Mr. Willis has given descriptions in letters addressed to General Morris for publication in the Home Journal, and we are soon to have from Putnam in a beautiful volume all that he has written on the subject, together with notices of the manner in which he enjoyed himself at Mr. Moore's delightful hotel at the "The usual walk (through this deep cave Falls, which is represented as farthest of all open at the top) is about half a mile in length, summer resorts from the turmoil of the world and its almost subterranean river, in that disand nearest of all to the gates of Paradise. tance, plunges over four precipices in exceedWe borrow from these letters a few charac-ingly beautiful cascades. On the successive teristic and tempting paragraphs:

| are compelled to see them. You walk a few steps from the hotel through the wood, and come to a descending staircase of a hundred steps, the different bends of which are so overgrown with wild shrubbery, that you cannot see the ravine till you are fairly down upon its rocky floor. Your path hence, up to the first Fall, is along a ledge cut out of the base of the cliff that overhangs the torrent, and when you go to the foot of the descending sheet, you find yourself in very close quarters with a cataract-rocky walls all round you-and the appreciation of power and magnitude, perhaps, somewhat heightened by the confinement of the place-as a man would have a much more realizing sense of a live lion, shut up with him in a basement parlor, than he would of the same object, seen from an elevated and distant point of view.

"I was here twenty years ago, but the fairest things slip easiest out of the memory, and I had half forgotten Trenton. To tell the truth, I was a little ashamed, to compare the faded and shabby picture of it in my mind with the reality before me, and if the waters of the Falls had been, by any likelihood, the same that flowed over when I was here before, I should have looked them in the face, I think, with something of the embarrassment with which one meets, half-rememberingly, after years of separation, the ladies one has vowed to love for ever.

"The peculiarity of Trenton Falls, I fancy, consists a good deal in the space in which you

rocky terraces between the falls, the torrent
takes every variety of rapids and whirlpools,
and, perhaps, in all the scenery of the world,
there is no river, which, in the same space, pre-
sents so many of the various shapes and beau-
ties of running and falling water. The Indian
name of the stream (the Kanata, which means
the amber river) expresses one of its peculiari-
ties, and, probably from the depth of shade
cast by the two dark and overhanging walls
'twixt which it flows, the water is everywhere
of a peculiarly rich lustre and color, and, in the
edges of one or two of the cascades, as yellow
as gold. Artists, in drawing this river, fail,
somehow, in giving the impression of deep
down-itude which is produced by the close ap

proach of the two lofty walls of rock, capped | jectives. To sandwich the moon in a muffin,' by the overleaning woods, and with the sky one must have time and a ladder of dictionaries. apparently resting, like a ceiling, upon the leafy But one or two effects struck me which perarchitraves... If there were truly, as the haps are worth briefly naming, and I will throw poets say figuratively, "worlds within worlds," into the lot a poetical figure, which you may this would look as if an earthquake had cracked use in your next song... open the outer globe, and exposed, through the yawning fissure, one of the rivers of the globe below-the usual underground level of "down among the dead men," being, as you walk upon its banks, between you and the daylight.

"The fourth Fall (or the one that is flanked by the ruins of a saw-mill) is, perhaps, a hundred feet across; and its curve over the upper rock and its break upon the lower one, form two parallel lines, the water everywhere falling the same distance with the evenness of an arti ficial cascade. The stream not being very full, just now, it came over, in twenty or thirty places, thicker than elsewhere; and the effect, from a distance, as the moonlight lay full upon it, was that of twenty or thirty immovable marble columns connected by transparent curtains of falling lace, and with bases in imitation of foam. Now it struck me that this might suggest a new and fanciful order of architec

houses, the glass roofs of which are curved over and slope to the ground with very much the contour of a waterfall......

"Considering the amount of surprise and pleasure which one feels in a walk up the ravine at Trenton, it is remarkable how little one finds to say about it, the day after. Is it that mere scenery, without history, is enjoyable without being suggestive, or, amid the tumult of the rushing torrent at one's feet, is the milk of thought too much agitated for the cream to rise? I fancied yesterday, as I rested on the softest rock I could find at the upper end of the ravine, that I should tumble you out a let-ture, suitable at least to the structure of greenter to-day, with ideas pitching forth like sawlogs over a waterfall; but my memory has nothing in it to-day but the rocks and rapids it took in-the talent wrapped in its napkin of delight remaining in unimproved statu-quo-sity. One certainly gets the impression, while the sight and hearing are so overwhelmed, that one's mind is famously at work, and that we shall hear from it to-morrow; but it is Jean Paul, I think, who says that the mill makes the most noise when there is no grist in the hopper.' "We have had the full of the moon and a cloudless sky for the last two or three nights, and of course we have walked the ravine till the small hours,' seeing with wonder the transforming effects of moonlight and its black shadows on the falls and precipices. I have no idea (you will be glad to know) of trying to reproduce these sublimities on paper-at least not with my travelling stock of verbs and ad

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"Subterranean as this foaming river looks by day, it looks like a river in cloud-land by night. The side of the ravine which is in shadow, is one undistinguishable mass of black, with its wavy upper edge in strong relief against the sky, and, as the foaming stream catches the light from the opposite and moonlit side, it is outlined distinctly on its bed of darkness, and seems winding its way between hills of clouds, half black, half luminous. Below, where all is deep shadow except the river, you might fancy it a silver mine laid open to your view amid subterranean darkness by the wand of an enchanter, or (if you prefer a military trope, my dear General), a long white plume laid lengthwise between the ridges of a cocked hat."

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