Tourism, Landscape, and the Irish Character: British Travel Writers in Pre-Famine IrelandPicturesque but poor, abject yet sublime in its Gothic melancholy, the Ireland perceived by British visitors during the eighteenth and nineteenth centuries did not fit their ideas of progress, propriety, and Protestantism. The rituals of Irish Catholicism, the lamentations of funeral wakes, the Irish language they could not comprehend, even the landscapes were all strange to tourists from England, Wales, and Scotland. Overlooking the acute despair in England’s own industrial cities, these travelers opined in their writings that the poverty, bog lands, and ill-thatched houses of rural Ireland indicated moral failures of the Irish character. |
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Page 66
... calls an “ intralingual " environment , one in which hosts and guests communicate , often imperfectly , in two ver- sions of the same language - in this case English . Cronin argues that travel writers , engaged in intralingual travel ...
... calls an “ intralingual " environment , one in which hosts and guests communicate , often imperfectly , in two ver- sions of the same language - in this case English . Cronin argues that travel writers , engaged in intralingual travel ...
Page 163
... calls for an affirming presence , of natural abundance that awaits the creative hand of technology . Colonial ... call out to British visitors for redemption . John Harvey Ashworth , author of The Saxon in Ireland , or The Rambles of an ...
... calls for an affirming presence , of natural abundance that awaits the creative hand of technology . Colonial ... call out to British visitors for redemption . John Harvey Ashworth , author of The Saxon in Ireland , or The Rambles of an ...
Page 207
... calls upon [ the ] heart in the majesty of darkness and silence , and is the source of the sublime sensation . " Monk goes on to comment : “ Thus the sublime becomes a super - sensuous experi- ence . Its object is the infinite reality ...
... calls upon [ the ] heart in the majesty of darkness and silence , and is the source of the sublime sensation . " Monk goes on to comment : “ Thus the sublime becomes a super - sensuous experi- ence . Its object is the infinite reality ...
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Tourism, Landscape, and the Irish Character: British Travel Writers in Pre ... William Williams No preview available - 2012 |
Common terms and phrases
aesthetic agricultural Anglo-Irish Anne Plumptre Anon Arthur Young beauty beggars Blake bogs Britain British tourists British travel writers British visitors cabins Caesar Otway Clew Bay Connacht Connemara Cork Croker cultivation culture described Dublin economic Edited eighteenth century encountered England English Famine Gaelic Galway Gráda Hall's Ireland Hiberno-English History ibid Imagination Inglis Irish character Irish peasant Irish poverty Irish Sketch Book Irish Tourist Irish travel italics added italics original James Johnson John Barrow Jonathan Binns Journey Killarney Lakes of Killarney land landlords landscape Leitch Ritchie look Lough moral mountains numbers Ó Gráda Paddy Paddy's painting peasantry picturesque poor potato Pre-Famine Protestant ragged Richard Colt Hoare road romantic ruins rundale Samuel Carter Hall scene scenery social society South of Ireland Sportsman in Ireland sublime suggests Thackeray Thomas Reid tion Tour in Ireland Tourism in Ireland tourist's gaze travel accounts Ulster villages West of Ireland wild William William Makepeace Thackeray