Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance DramaTextual Intercourse proposes that the language and practice of writing plays in early modern England was inextricably linked to languages and practices of eroticism, sexuality and reproduction. Jeffrey Masten reads a range of early modern materials - burial records, contemporary biographical anecdotes and theatrical records, essays, conduct books and poems; the printed apparatus of published plays, and the plays themselves - to illustrate the ways in which writing for the theatre shifted from a model of homoerotic collaboration toward one of singular authorship on a patriarchal-absolutist model. Plays and collections of plays by Shakespeare, Shakespeare and Fletcher, Beaumont and Fletcher, Margaret Cavendish, and others, are considered. Textual Intercourse illustrate the ways in which methods attuned to sexuality and gender can illuminate more traditional questions of authorship, attribution, textual editing and intellectual property. |
From inside the book
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Page vii
... interpretation of Renaissance drama page viii xi 1 12 Between gentlemen : homoeroticism , collaboration , and the discourse of friendship 28 Representing authority : patriarchalism , absolutism , and the author on stage 63 4 Reproducing ...
... interpretation of Renaissance drama page viii xi 1 12 Between gentlemen : homoeroticism , collaboration , and the discourse of friendship 28 Representing authority : patriarchalism , absolutism , and the author on stage 63 4 Reproducing ...
Page 6
... interpretation of erotic experiences ... that foregrounds the historical and cultural specificity of those experiences . Thus , the impossibility of sleeping with the dead . Or , to phrase this more chastely and less figuratively : the ...
... interpretation of erotic experiences ... that foregrounds the historical and cultural specificity of those experiences . Thus , the impossibility of sleeping with the dead . Or , to phrase this more chastely and less figuratively : the ...
Page 9
... interpret , conceptualize , organize , and edit texts written before the birth of the author in its modern ( self - possessed and sexually orientated ) incarnation ? For reasons that are related to these questions , much of the material ...
... interpret , conceptualize , organize , and edit texts written before the birth of the author in its modern ( self - possessed and sexually orientated ) incarnation ? For reasons that are related to these questions , much of the material ...
Page 11
... the historical movement from undifferentiated collaboration to the imperative of the author - centered bibliography forms the structure of this book . 1 Seeing double : collaboration and the interpretation of Renaissance Introduction 11.
... the historical movement from undifferentiated collaboration to the imperative of the author - centered bibliography forms the structure of this book . 1 Seeing double : collaboration and the interpretation of Renaissance Introduction 11.
Page 12
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Contents
Seeing double collaboration and the interpretation of Renaissance drama | 12 |
Between gentlemen homoeroticism collaboration and the discourse of friendship | 28 |
Representing authority patriarchalism absolutism and the author on stage | 63 |
Reproducing works dramatic quartos and folios in the seventeenth century | 113 |
Mistris corrivall Margaret Cavendishs dramatic production | 156 |
Common terms and phrases
acting company Arbaces argues attempt attribution audience authorial presenter Beaumont and Fletcher Brathwait Burning Pestle Cavendish chapter circulation Cokain collaboration Comedies commendatory context culture daughter discourse dramatic early modern edition emergence emphasizes England English essay example father figures Fletcher folio Francis Francis Beaumont gender Gentlemen Gentlemen of Verona Gobrius Gobrius's Gower Grazia haue homoeroticism homosexuality homosocial Humphrey Moseley individual Iohn Fletcher John Jonathan Goldberg Jonson King Knight language Literary London loue male friendship Margaret Cavendish Marina marriage Massinger mode Noble Kinsmen Oxford patriarchal patriarchal-absolutist Pericles play play-texts play's playwright poem Poet political Prince of Tyre printed prologue Prospero's Protheus quarto reading relation Renaissance reproduction resonance rhetoric Richard Brathwait scene seventeenth century sexual singular authorship Sonnets speak speech stage Stephen Orgel suggests Tempest texts textual production Thaisa theatre theatrical thou tion University Press Valentine volume volume's William Shakespeare women word writing
Popular passages
Page 1 - In the same Grave Fletcher was buried, here Lies the Stage-Poet, Philip Massinger. Playes they did write together; were great friends, And now one grave includes them in their ends. So whom on earth nothing did part, beneath Here (in their Fames) they lie, in spight of death.