The Theatre Handbook and Digest of PlaysBernard Sobel |
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Page 130
... usually asked what parts and in what play . If the actor has done radio , this experience is usually noted . If he has any par- ticular attributes ; such as a trained voice , ability to play the piano or various musical instruments ...
... usually asked what parts and in what play . If the actor has done radio , this experience is usually noted . If he has any par- ticular attributes ; such as a trained voice , ability to play the piano or various musical instruments ...
Page 131
... usually a scene of his own preference . Normally , the musical or musical - comedy actor is given an audition as soon as possible ; if a singer , usually by recording or by direct audition . 3. An actor's fitness in the sense of ability ...
... usually a scene of his own preference . Normally , the musical or musical - comedy actor is given an audition as soon as possible ; if a singer , usually by recording or by direct audition . 3. An actor's fitness in the sense of ability ...
Page 250
... usually indicated in the text of the play by the performer's speech and action . There were strict conventions for ... usually adds nothing to one's knowledge of the classical Indian theatre . The plays are not even presented in Sanskrit ...
... usually indicated in the text of the play by the performer's speech and action . There were strict conventions for ... usually adds nothing to one's knowledge of the classical Indian theatre . The plays are not even presented in Sanskrit ...
Contents
Preface George Freedley | ix |
Actress Tallulah Bankhead | 33 |
Community Theatre Movement The Carl Glick | 169 |
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