The Theatre Handbook and Digest of PlaysBernard Sobel |
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Page 26
... performance at proper pitch . Naturally an actor , like anyone else , is much moved by a play . He reads it , reacts to it , works into it - gets fond of it - feels that he understands it . But once that reaction to a piece of writing ...
... performance at proper pitch . Naturally an actor , like anyone else , is much moved by a play . He reads it , reacts to it , works into it - gets fond of it - feels that he understands it . But once that reaction to a piece of writing ...
Page 88
... other unpredictable obstacles kept away the crowds , another benefit performance was sometimes allowed . The authors always got the proceeds of the third night of a run . BEN HUR - BERENICE 89 Today benefit performances in New.
... other unpredictable obstacles kept away the crowds , another benefit performance was sometimes allowed . The authors always got the proceeds of the third night of a run . BEN HUR - BERENICE 89 Today benefit performances in New.
Page 656
... performance and for the perfection of that performance . Rehearsals are informal at the beginning of the rehearsal period and may be of parts or separate features . The rehearsal period is the training period for a performance and ...
... performance and for the perfection of that performance . Rehearsals are informal at the beginning of the rehearsal period and may be of parts or separate features . The rehearsal period is the training period for a performance and ...
Contents
Preface George Freedley | ix |
Actress Tallulah Bankhead | 33 |
Community Theatre Movement The Carl Glick | 169 |
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