Rubens and Italy |
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Page 87
... altarpiece and who was ready to stake handsomely on his claims . The qualities which were later to attract him to the work of another young painter , Guercino , boldness of relief and foreshortening , would have stood out amongst those ...
... altarpiece and who was ready to stake handsomely on his claims . The qualities which were later to attract him to the work of another young painter , Guercino , boldness of relief and foreshortening , would have stood out amongst those ...
Page 97
... altarpiece , although there understandably less palpable , the light streams down behind . Even the indications of colour in the Seilern sketch suggest that it is unlikely to have been painted after the full colours of the first altarpiece ...
... altarpiece , although there understandably less palpable , the light streams down behind . Even the indications of colour in the Seilern sketch suggest that it is unlikely to have been painted after the full colours of the first altarpiece ...
Page 98
... altarpiece we know a pen and wash drawing ( Plate 329 ) , a modello painted on canvas ( Plate 330 ) , and , from an in- tervening stage , a study in chalks ( Plate 328 ) how to represent the Madonna in an enframement sur- rounded by ...
... altarpiece we know a pen and wash drawing ( Plate 329 ) , a modello painted on canvas ( Plate 330 ) , and , from an in- tervening stage , a study in chalks ( Plate 328 ) how to represent the Madonna in an enframement sur- rounded by ...
Contents
ACKNOWLEDGEMENTS page | 6 |
The Nature of his Decision | 9 |
Preparations for Italy | 14 |
Copyright | |
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Agostino Albertina altarpiece Annibale Annibale Carracci antique marble Antwerp Barocci Black chalk bodycolour bodycolour on paper Borghese British Museum brown ink Brussels BURCHARD-D'HULST Burl.M Caravaggio Cardinal Carracci chalk on paper Chapel Chieppio Chiesa Nuova Christ church colour composition copy decoration Domitilla Doria drapery drawing Dresden Duke engraving Entombment Farnese Federico Zuccaro Fermo figures Flemish Florence Fondation Custodia fresco Genoa Giovanni Giulio Romano Gonzaga head Hercules ibid Ink and bodycolour Ink on paper Italian Italy JAFFÉ Kupferstichkabinett landscape Lerma London Louvre LUGT Madonna Madrid Mantua Michelangelo modello Musée Museum Boymans-van Beuningen National Gallery Oils on canvas Oils on panel Oratorians painter painting Palazzo Paris pen and wash Peter Paul Rubens Philip picture Pietro Plate portrait Prado private collection Raphael Red chalk Ricci Roman Rome Rubens's scudi Seilern Serra sheet sketch Tintoretto Titian Venetian Venice Veronese verso Vienna Vincenzo WETHEY white bodycolour