Rubens and Italy |
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Page 32
... Fermo ( Plate 340 ) , we can infer that he studied also The Nativity in S. Prospero , Reggio.141 He had to investigate the luminous and atmospheric magic in the ' Notte ' , no less than the grace of posture in Correggio's day scenes ...
... Fermo ( Plate 340 ) , we can infer that he studied also The Nativity in S. Prospero , Reggio.141 He had to investigate the luminous and atmospheric magic in the ' Notte ' , no less than the grace of posture in Correggio's day scenes ...
Page 98
... Fermo altarpiece ( Plates 340 ) , in order to account for the adaptation painted for St. Paul's , Antwerp . The idea first stated fully for Fermo continued to work in his mind ; and there may be more revisions of it to be found ...
... Fermo altarpiece ( Plates 340 ) , in order to account for the adaptation painted for St. Paul's , Antwerp . The idea first stated fully for Fermo continued to work in his mind ; and there may be more revisions of it to be found ...
Page 119
... Fermo . 48. ibid . 49. CDR , I , 412-13 . 50 . Arch . Arcivesc . Fermo , true copy in P. Ricci's hand of Rubens's declaration of 9 March 1608 . 51. E. Strong , La Chiesa Nuova , Rome 1923 , 96 . 52. IV . de ' Decreti , 173 , sec . 3 ...
... Fermo . 48. ibid . 49. CDR , I , 412-13 . 50 . Arch . Arcivesc . Fermo , true copy in P. Ricci's hand of Rubens's declaration of 9 March 1608 . 51. E. Strong , La Chiesa Nuova , Rome 1923 , 96 . 52. IV . de ' Decreti , 173 , sec . 3 ...
Contents
ACKNOWLEDGEMENTS page | 6 |
The Nature of his Decision | 9 |
Preparations for Italy | 14 |
Copyright | |
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Agostino Albertina altarpiece Annibale Annibale Carracci antique marble Antwerp Barocci Black chalk bodycolour bodycolour on paper Borghese British Museum brown ink Brussels BURCHARD-D'HULST Burl.M Caravaggio Cardinal Carracci chalk on paper Chapel Chieppio Chiesa Nuova Christ church colour composition copy decoration Domitilla Doria drapery drawing Dresden Duke engraving Entombment Farnese Federico Zuccaro Fermo figures Flemish Florence Fondation Custodia fresco Genoa Giovanni Giulio Romano Gonzaga head Hercules ibid Ink and bodycolour Ink on paper Italian Italy JAFFÉ Kupferstichkabinett landscape Lerma London Louvre LUGT Madonna Madrid Mantua Michelangelo modello Musée Museum Boymans-van Beuningen National Gallery Oils on canvas Oils on panel Oratorians painter painting Palazzo Paris pen and wash Peter Paul Rubens Philip picture Pietro Plate portrait Prado private collection Raphael Red chalk Ricci Roman Rome Rubens's scudi Seilern Serra sheet sketch Tintoretto Titian Venetian Venice Veronese verso Vienna Vincenzo WETHEY white bodycolour