Performing Global NetworksKaren Fricker, Ronit Lentin Networks are everywhere: from migrant organisations to information technology, from business to social movements, from international governance to global non-governmental organisations, from theatrical collectives to fan clubs, from memory sites to narrative circles. The portmanteau terms networks, and more specifically, global networks, seem to have become the mots du jour in contemporary cultural and social studies. But what cultural, social and political work do global networks accomplish: what is the work of these networks? This path-breaking collection follows Graeme Thompson’s rallying cry for a clearer analytical approach to the ways in which networks are ‘enacted, assembled, conducted, and performed.’ In its thirteen chapters, scholars from a variety of fields – sociology, theatre and performance studies, peace studies, history, and musicology – as well as social and cultural activists, explore the multiple meanings of global networks and performance. |
From inside the book
Page vii
The effect is an unusual breadth of vision across time as well as space, as well as
across the connections and fault-lines that constitute the mobile worlds of
migrants, intellectuals, actors, singers, musicians, media representatives, and
activists ...
The effect is an unusual breadth of vision across time as well as space, as well as
across the connections and fault-lines that constitute the mobile worlds of
migrants, intellectuals, actors, singers, musicians, media representatives, and
activists ...
Page 8
Such relationships have been studied in a number of contexts including
migration, business, political advocacy, and terrorism. The common thread in this
wide range of research settings is an interest in the ways that networks, as
multicentred ...
Such relationships have been studied in a number of contexts including
migration, business, political advocacy, and terrorism. The common thread in this
wide range of research settings is an interest in the ways that networks, as
multicentred ...
Page 25
European theatre performances depicting the most recent geopolitical
humanitarian crisis of conflict migration (see Brettell and Hollifield 2000) are
surprisingly rare given the multiple sites of journeying and trafficking across
Europe that exist ...
European theatre performances depicting the most recent geopolitical
humanitarian crisis of conflict migration (see Brettell and Hollifield 2000) are
surprisingly rare given the multiple sites of journeying and trafficking across
Europe that exist ...
Page 105
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Contents
1 | |
8 | |
25 | |
38 | |
CHAPTER FOUR | 52 |
CHAPTER FIVE | 67 |
CHAPTER SIX | 88 |
CHAPTER SEVEN | 105 |
CHAPTER NINE | 139 |
CHAPTER TEN | 163 |
CHAPTER ELEVEN | 182 |
CHAPTER TWELVE | 198 |
CHAPTER THIRTEEN | 206 |
CONTRIBUTORS | 228 |
INDEX | 232 |
CHAPTER EIGHT | 121 |
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Abbey Theatre actors African AkiDwA analysis Anglo-Irish Agreement anti-trafficking Arambe argues artistic asylum seekers audience Bat Shalom become Britain British campaign Centre chapter colonies concept conflict contemporary Contest cosmopolitan Culture Ireland debate diasporic economic emergence emphasis empire ethnic Europe Eurovision fan event example fan network feminist Fuchs Garret FitzGerald gender global networks globalisation Holton identity immigrant individual intercultural interview Irish culture Irish fan Irish theatre Israel Israeli issue Italian Kilburn High Road live London Machsom Watch memory microhistory migrant women migration Nakba narrative national theatre networking activities Northern Ireland obscenity OGAE organisations Palestinian Pappe participate performance play Plough political Priestman-Bright circle production prostitution racism refugees regulation relation role Ronit Routledge social networks society songs stage Studies trafficking transnational transnationalism Trinity College Dublin University Press women migrants women’s movement women’s rights world music Zochrot