Performing Global NetworksKaren Fricker, Ronit Lentin Networks are everywhere: from migrant organisations to information technology, from business to social movements, from international governance to global non-governmental organisations, from theatrical collectives to fan clubs, from memory sites to narrative circles. The portmanteau terms networks, and more specifically, global networks, seem to have become the mots du jour in contemporary cultural and social studies. But what cultural, social and political work do global networks accomplish: what is the work of these networks? This path-breaking collection follows Graeme Thompson’s rallying cry for a clearer analytical approach to the ways in which networks are ‘enacted, assembled, conducted, and performed.’ In its thirteen chapters, scholars from a variety of fields – sociology, theatre and performance studies, peace studies, history, and musicology – as well as social and cultural activists, explore the multiple meanings of global networks and performance. |
From inside the book
Results 1-5 of 44
Page viii
... the multiple social worlds that go to make up the contemporary global arena. They move us beyond speculation in exciting new ways. February 2007 INTRODUCTION KAREN FRICKER AND RONIT LENTIN PERFORMING NETWORKS, NETWORKS OF viii Foreword.
... the multiple social worlds that go to make up the contemporary global arena. They move us beyond speculation in exciting new ways. February 2007 INTRODUCTION KAREN FRICKER AND RONIT LENTIN PERFORMING NETWORKS, NETWORKS OF viii Foreword.
Page 1
... contemporary cultural and social studies. This volume is quite clearly a product of the extraordinary current interest in network studies, but it is also an attempt to step back from the network fray to engage critically in what ...
... contemporary cultural and social studies. This volume is quite clearly a product of the extraordinary current interest in network studies, but it is also an attempt to step back from the network fray to engage critically in what ...
Page 3
... contemporary network society. It is the 'global' modifier that marks the contemporary network studies in which we participate as something new; these currents of anthropological, sociological, and cultural studies are now being brought ...
... contemporary network society. It is the 'global' modifier that marks the contemporary network studies in which we participate as something new; these currents of anthropological, sociological, and cultural studies are now being brought ...
Page 5
... contemporary Irish theatre has put the image of the 'fear gorm' (black man). Both Aviram and Adigun's chapters give a potent impression of cultures and social movements in extreme flux, and of their activism as a means of locating and ...
... contemporary Irish theatre has put the image of the 'fear gorm' (black man). Both Aviram and Adigun's chapters give a potent impression of cultures and social movements in extreme flux, and of their activism as a means of locating and ...
Page 6
... contemporary crisis of conflict migration by staging real-life testimony of illegal migrants from Eastern Europe and the Middle East attempting to migrate to England; the production's refusal to allow audiences to identify with – to ...
... contemporary crisis of conflict migration by staging real-life testimony of illegal migrants from Eastern Europe and the Middle East attempting to migrate to England; the production's refusal to allow audiences to identify with – to ...
Contents
1 | |
8 | |
25 | |
38 | |
CHAPTER FOUR | 52 |
CHAPTER FIVE | 67 |
CHAPTER SIX | 88 |
CHAPTER SEVEN | 105 |
CHAPTER NINE | 139 |
CHAPTER TEN | 163 |
CHAPTER ELEVEN | 182 |
CHAPTER TWELVE | 198 |
CHAPTER THIRTEEN | 206 |
CONTRIBUTORS | 228 |
INDEX | 232 |
CHAPTER EIGHT | 121 |
Other editions - View all
Common terms and phrases
Abbey activities actors African analysis appears argues artistic Association attempt audience become Britain British campaign Centre century chapter collective concept connections contemporary Contest create cultural debate discussion Dublin economic emergence empire engage ethnic Europe Eurovision event example experience fans gender global networks globalisation Holton human ideas identity immigrant important individual intercultural interest involved Ireland Irish Irish theatre Israeli issue knowledge language largely Lentin live London means memory migration movement Nakba obscenity organisations origin Palestinian participate particular performance play political position practices present Press production promote Quaker question recent refugees regulation relation represent response role sense social society specific stage structures Studies theatre theory trafficking transnational understanding University women