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"Faith, Terrance has just been saying what a gentle creature ye are," says Seumas.

"Sure, if I had my way, I'd put a sup of water in the mouth of you and set you over the fire till it boiled. That for my gentleness and your blarney!" says she, planting her fists on her hips.

warmed by the hate that is natural between husband and wife. Away we'll go, singing and fighting and love-making, and many's the night he'll be stiff with the drink in him, glory be to God!" Seumas waits for a week and a day. It's night when he comes to the house, and the turf fire is glowing. Through

Around the hedge steps Terrance and the window he looks and "Wirra! Wirinto the doorway he goes. ra!" he cries, stepping back.

"When you find me paying you compliments," says Seumas, "you can pluck feathers from a tom-cat's tail, and that will be never. Why cannot you leave your husband alone, like a decent married woman?"

"Who are you, to tell me what to do or not do?"

"If it hadn't been for myself, you would never have had him."

"Indeed and wisha! Sure and I'm thanking you this day!" and she makes him a curtsey.

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"Butter, ye say?"

"Sure, I told Terrance to butter your feet, may God forgive me for it! Your love is nothing but butter-'tis nought but a charm-and now that you know it, the charm will be broken, and you can go traipsing and trolloping the way nature intended."

"Butter my feet, is it? I'll butter your head with a three-legged stool!"

She doubles her fists and is around the hedge after him, but Seumas is dancing away from her, a grin on his face and hope beating high in his heart.

"Sure, the charm will be broken, now that she knows of it," says he to himself, "and my conscience will not have to carry that sin. He'll throw the pot and she'll throw the kettle, and they'll be

In the glow of the turves sits Terrance and Shiela is sitting beside him, she sewing and Terrance peeling potatoes, a smock round his neck.

"The look on the face of him!" says Seumas, and back to the window he steps.

Under his foot a stick crackles. Shiela opens the door.

"Sure, I thought I heard some one," says she. "And is it yourself? Why aren't you knocking? Why don't you come in like a friend and see Terrance and me?"

"Faith, it wouldn't be Terrance I'd see! Is it a sheep or a woman you've made of him, with the smock round his neck?"

Shiela closes the door and steps out. "Have ye noticed the change?" "Parish church in clear daylight is not as plain as his face! 'Tis the face of a man that pays taxes, 'tis a face that fears rain and the neighbors' opinions, 'tis a face with a pain in its back that needs rubbing, 'tis contented and empty and soft-like and dead without knowing it! "Tis a face that is waiting for its own wake! Musha! Musha! What have ye done?"

"Sure, while he was sleeping I buttered his feet, and this night I am thanking ye, Seumas!"

"Oh, Terrance is done for! I've lost him. I've lost him! Achone! Achone!"

Away goes Seumas. Under the stars he goes till he comes to a river and he sits on a stone and takes out his knife to pick his teeth and think.

"Ach, to be married and live happily ever after is a devil of a life! Never a drink in you, nor a song out of you, nor a day's hunting, nor a night of wild loving under the stars. There's neither marrying nor giving in marriage in heaven, and that's why it is heaven and, sure, heaven is a great place for songs.

"One jab of the knife, and my troubles would all be over, my life running into the river and the river not rising at all. Terrance's soul will go out at the door at the time that's appointed, and Shiela's soul will go out at the window, and the charm will be loosed.

"I would be on ahead, preparing a place for him, stringing the harp, putting a patch on the bagpipes, and setting out the bowl. Maybe the Holy Saints will give me a harp that never needs stringing and a bowl that never goes

dry. Maybe Terrance will play on bagpipes filled with the winds that blow between the worlds.

"From afar off, I'll see him coming, and shout to him, and he'll shout back to me. Maybe he'll fetch me a clout to show how well he knows me. Maybe he'll break my head under the eyes of Almighty God!"

The knife slips and strikes him and splashes into the river.

"Sure," says Seumas, sucking his wrist, "I've been a long journey while sitting on the stone-to heaven and back again—and treated with great honor and respect by everybody, by Saint Peter on his golden throne and the lesser Saints in their niches like dog-kennels. 'Tis dead I've been and resurrected, without waiting for the third day.

"Terrance is gone, but somewhere I'll find another laddie-buck, and if I don't, I'm good company for myself. Faith, heaven is only for them that can't get out of it. I'm glad I came back."

And under the stars goes Seumas, whistling a tune.

Epigram

By JAMES FEIBLEMAN

Some trudge to death alone, but some Want love for their viaticum.

Kit Marlowe to Cabell

By JOSEPH T. SHIPLEY

Pastels are diffident. Play a carmine, bold
Across the sheets. Blood, man; pour blood!
Have you any in you?

Life's not a questing for will-o'-the-wisps,
Delicate, flitting a lure;

Life is a lust, a fever;

Life burns at both ends,

You speak of a veil with twenty-seven slits;

Life tears veils aside.

Have you ever waited, on a stormy night of spring, Fallen foul of a maid, and bundled her,

A delicious squirming squealing petticoat,

To a cosy bed,

Tousled and tussling, only half afraid,

But able now to cry she was unwilling

Have you ever fought all comers for a maid?

When were you drunk last, James?

Have you ever reeled, rollicking, damning the state, Spun a corner-into the arms of the law?

You and a pal or two, and for a lark

Muzzled the watch and borne their lanterns off

And stopped all honest citizens on their way

And bunked them in a stable for the night?

List me your pranks; I'll match them double-time,

Or hang my tail upon the tavern-port

For gulls to twit.

Man's love of woman is the least of life

Like food, perhaps, but no more imminent;

Man builds his world on lust of gold or power.
Fashion a harem where a king may loll,

Anthony, Heliogabalus.

And the people writes-but let the king grow wroth,
Let him sweep conquering over continents,

Alexander, Caesar, or our own great king,
And patriots run to die to clear his way.

You pick me (thanks, friend), out of a many more And say I am the true economist.

How Moll would laugh, if she caught the praise,
Dangling my empty purse from her finger-tip
And pouting for silk hose to match her garters!
My life, you say, was spent wisely. Did I wear
A cloak whose pattern was my choosing? Wish
The way I went? I burned across my years
Like any guzzler on the Mermaid bench

Who drank and fought and whored to kill King Time.
There is a fellow here; love's labor's lost

Indeed ('twas a play he wrote) trying to fuddle him.
We mock him when he sips his sober glass

And holds back from our boisterous company

What a world of fun he misses!-yet I know

That had I held myself like him, the flame
That flares in me might be a steady glow
Through decades-

Did you see the wench that passed

The window, turned her eye this way-just now?
Rare-fashioned for these parts, icod! Is my
Feather flaunting? I'll be after her;
It's April since I've kissed as fair a face.
Don't smile, you humbug; but I saw her first,
You have no claim. One word before I go:
Match me a Tamerlane with Kennaston,
Pit Jurgen to my Faustus; strike the flint;
Stir in their bowels the search man never ends,
And I have lusty life where you have-love.
Damme! I'll lose her 'less I hurry off.

Smear carmine on your pages, James. Farewell.

Two Poems

By ROBERT J. ROE

Verlaine

I

The pool reflects silent music under frigid trees

Sends a wavering smoke of music tangling the stiff branches

And he is lured and drawn

Among the writhe and shine of vaporous serpents,

Haunted and sucked into pools of melody.

II

The splotched waters of tints
Receive and swallow him under
And he goes protesting at last
With a scarred, ironic hand.

III

He loses his body in a grey stiff chant
Like a stone portico of pillars

And they will make his soul do service
As a freize of carven music.

Cattleman's Wife

The cattleman sprawls with stumpy hands
Locked behind his beefy neck

Listening to the carnal rumbling

Of bulls out of the desert.

While the sensual evening

Drags blunt blue fingers

Down the quaking yellow flanks

Of the gully

and the young wife Watches with fatal eyes.

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