The Theatre Handbook and Digest of PlaysBernard Sobel |
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Page 359
... mind were that there is an " unconscious " which sharply affects the consciousness ; that the mind is split thus because of cer- tain conflicts or " repressions " ; and that sexual impressions are received earlier and are more ...
... mind were that there is an " unconscious " which sharply affects the consciousness ; that the mind is split thus because of cer- tain conflicts or " repressions " ; and that sexual impressions are received earlier and are more ...
Page 558
... mind . He then consults with his cameraman on the first set - up of the day , informing the cameraman of his proposed action . If a particular mood is required , he will talk this over with his cameraman . He will then consult his ...
... mind . He then consults with his cameraman on the first set - up of the day , informing the cameraman of his proposed action . If a particular mood is required , he will talk this over with his cameraman . He will then consult his ...
Page 723
... mind . Except in the case of certain intellectual plays the theatre is wholly concerned with the unconscious mind of the audience . The conscious mind should play no part . " When Jones designed the setting for Hopkins ' production of ...
... mind . Except in the case of certain intellectual plays the theatre is wholly concerned with the unconscious mind of the audience . The conscious mind should play no part . " When Jones designed the setting for Hopkins ' production of ...
Contents
CONTENTS | xi |
Preface George Freedley | xii |
Acoustics 2343 | 24 |
Copyright | |
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