The Theatre Handbook and Digest of PlaysBernard Sobel |
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Page 403
... became the Lexington Theatre , New York . Hammond , Aubrey Lindsay ( 1893- ) . English artist , scene designer . Born at Folkestone , 1893 , he became noted as a designer of stage settings and as a black - and - white artist ...
... became the Lexington Theatre , New York . Hammond , Aubrey Lindsay ( 1893- ) . English artist , scene designer . Born at Folkestone , 1893 , he became noted as a designer of stage settings and as a black - and - white artist ...
Page 483
... became a baritone vocalist , making a great success as Rip Van Winkle in Planquette's operetta Rip , at the Comedy , London , in 1882. Developing as a comedian , and finding a colleague in Nelly Farren , he became for the last seven ...
... became a baritone vocalist , making a great success as Rip Van Winkle in Planquette's operetta Rip , at the Comedy , London , in 1882. Developing as a comedian , and finding a colleague in Nelly Farren , he became for the last seven ...
Page 820
... became chiefly used as the scene of action on city walls , towers , balconies , and those other localities so frequently designated in Elizabethan stage - directions as " above . " It was curtained and hence , like the inner stage below ...
... became chiefly used as the scene of action on city walls , towers , balconies , and those other localities so frequently designated in Elizabethan stage - directions as " above . " It was curtained and hence , like the inner stage below ...
Contents
CONTENTS | xi |
Preface George Freedley | xii |
Acoustics 2343 | 24 |
Copyright | |
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