Sexuality and the Erotic in the Fiction of Joseph ConradAwarded third place for The Adam Gillon Book Award in Conrad Studies 2009 The book presents a sustained critique of the interlinked (and contradictory) views that the fiction of Joseph Conrad is largely innocent of any interest in or concern with sexuality and the erotic, and that when Conrad does attempt to depict sexual desire or erotic excitement then this results in bad writing. Jeremy Hawthorn argues for a revision of the view that Conrad lacks understanding of and interest in sexuality. He argues that the comprehensiveness of Conrad's vision does not exclude a concern with the sexual and the erotic, and that this concern is not with the sexual and the erotic as separate spheres of human life, but as elements dialectically related to those matters public and political that have always been recognized as central to Conrad's fictional achievement. The book will open Conrad's fiction to readings enriched by the insights of critics and theorists associated with Gender Studies and Post-colonialism. |
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Page ii
... Masculinity in Fiction and Film by Brian Baker Novels of the Contemporary Extreme edited by Alain-Philippe Durand and Naomi Mandel Romanticism, Literature and Philosophy by Simon Swift Women 's Fiction 1945—2005 by Deborah Philips ...
... Masculinity in Fiction and Film by Brian Baker Novels of the Contemporary Extreme edited by Alain-Philippe Durand and Naomi Mandel Romanticism, Literature and Philosophy by Simon Swift Women 's Fiction 1945—2005 by Deborah Philips ...
Page 10
... masculinity and femininity from “Karain” to Under Western Eyes' (2005), Carola M. Kaplan asserts a powerful and convincing counter-case to the prevailing orthodoxy. Arguing that '[t]he time has come to counter the myth of Conrad's ...
... masculinity and femininity from “Karain” to Under Western Eyes' (2005), Carola M. Kaplan asserts a powerful and convincing counter-case to the prevailing orthodoxy. Arguing that '[t]he time has come to counter the myth of Conrad's ...
Page 13
... masculine qualities, while a number of his male characters are prone to 'blush like a girl' — and especially in moments of strong emotional contact with other men. In some of Conrad's male characters a weakness and lack of masculinity ...
... masculine qualities, while a number of his male characters are prone to 'blush like a girl' — and especially in moments of strong emotional contact with other men. In some of Conrad's male characters a weakness and lack of masculinity ...
Page 30
... masculine cigars; we are invited to imagine him picking up transient acquaintances — but then returning home alone to his piano; the narrator eyes him stealthily wondering what he has been up to — but then his unworthy suspicions vanish ...
... masculine cigars; we are invited to imagine him picking up transient acquaintances — but then returning home alone to his piano; the narrator eyes him stealthily wondering what he has been up to — but then his unworthy suspicions vanish ...
Page 43
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Contents
1 | |
17 | |
2 The exotic and the erotic in An Outcast of the Islands and Heart of Darkness | 61 |
3 The erotics of cruelty in A Smile of Fortune The Planter of Malata The Secret Agent Victory and Freya of the Seven Isles ... | 77 |
4 Voyeurism in The ShadowLine and Under Western Eyes | 131 |
Conclusion and? | 153 |
Notes | 159 |
Bibliography | 166 |
Index | 173 |
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Common terms and phrases
11 Conde Aissa Alice Jacobus Alice’s Almayer Arrow of Gold associated attractive Author’s Note captain captain-narrator chapter characters confirms Conrad’s fiction Count Crippen critics depicted elements erotic European exotic face feeling Felicia female femininity fictional figure final find first Freya Haldin Harpham Heart of Darkness Heemskirk heterosexual Heyst hints homosexual impotence innocent involves Islands Jacobus’s James’s Jessie Jim’s Jones Joseph Conrad knowing Lena looking Lord Jim male man’s Marlow masculine masochistic Mauritius murder narrative narrator narrator-captain Nathalie Nostromo novella obsession Outcast Oxford passage passion Planter of Malata Ransome Ransome’s Razumov reader reading relationship Renouard reports Retinger Ricardo sadism and masochism sadistic scene Schomberg Secret Agent seems sense sexual desire Shadow-Line shared ship significant Smile of Fortune sort story suggests symbolic tale teacher of languages Venus in Furs Verloc voyeurism Western Eyes Willems Willems’s Winnie woman women word World’s Classics Edition writhing writing young