Sexuality and the Erotic in the Fiction of Joseph ConradAwarded third place for The Adam Gillon Book Award in Conrad Studies 2009 The book presents a sustained critique of the interlinked (and contradictory) views that the fiction of Joseph Conrad is largely innocent of any interest in or concern with sexuality and the erotic, and that when Conrad does attempt to depict sexual desire or erotic excitement then this results in bad writing. Jeremy Hawthorn argues for a revision of the view that Conrad lacks understanding of and interest in sexuality. He argues that the comprehensiveness of Conrad's vision does not exclude a concern with the sexual and the erotic, and that this concern is not with the sexual and the erotic as separate spheres of human life, but as elements dialectically related to those matters public and political that have always been recognized as central to Conrad's fictional achievement. The book will open Conrad's fiction to readings enriched by the insights of critics and theorists associated with Gender Studies and Post-colonialism. |
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Page 8
... Almayer's Folly (1895) opens with the following sentence: 'The deliberations conducted in London have a far reaching importance; and so, the decision issued from the fog-veiled offices 8 Sexuality and the Erotic in the Fiction of Joseph ...
... Almayer's Folly (1895) opens with the following sentence: 'The deliberations conducted in London have a far reaching importance; and so, the decision issued from the fog-veiled offices 8 Sexuality and the Erotic in the Fiction of Joseph ...
Page 9
... Almayer the brilliant sunshine of the Tropics and added another drop of bitterness to the cup of his disenchantments' (28). Here, in miniature and right at the start of Conrad's writing career, is evidence of his constant need to see ...
... Almayer the brilliant sunshine of the Tropics and added another drop of bitterness to the cup of his disenchantments' (28). Here, in miniature and right at the start of Conrad's writing career, is evidence of his constant need to see ...
Page 11
... Almayer's Folly, Willems and Aissa in An Outcast of the Islands, and Renouard in 'The Planter of Malata', or merely hinted at by the narrative and only half-recognized by the character as for example with the Marlow of Lord Jim, the ...
... Almayer's Folly, Willems and Aissa in An Outcast of the Islands, and Renouard in 'The Planter of Malata', or merely hinted at by the narrative and only half-recognized by the character as for example with the Marlow of Lord Jim, the ...
Page 14
... Almayer 's Folly, The Outcast of the Islands and The Rescue the passionate and erotic desires of the characters are inseparable from — are indeed partly the product of — realities of class, race, and empire. In Nostromo the sterility of ...
... Almayer 's Folly, The Outcast of the Islands and The Rescue the passionate and erotic desires of the characters are inseparable from — are indeed partly the product of — realities of class, race, and empire. In Nostromo the sterility of ...
Page 59
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Contents
1 | |
17 | |
2 The exotic and the erotic in An Outcast of the Islands and Heart of Darkness | 61 |
3 The erotics of cruelty in A Smile of Fortune The Planter of Malata The Secret Agent Victory and Freya of the Seven Isles ... | 77 |
4 Voyeurism in The ShadowLine and Under Western Eyes | 131 |
Conclusion and? | 153 |
Notes | 159 |
Bibliography | 166 |
Index | 173 |
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Common terms and phrases
11 Conde Aissa Alice Jacobus Alice’s Almayer Arrow of Gold associated attractive Author’s Note captain captain-narrator chapter characters confirms Conrad’s fiction Count Crippen critics depicted elements erotic European exotic face feeling Felicia female femininity fictional figure final find first Freya Haldin Harpham Heart of Darkness Heemskirk heterosexual Heyst hints homosexual impotence innocent involves Islands Jacobus’s James’s Jessie Jim’s Jones Joseph Conrad knowing Lena looking Lord Jim male man’s Marlow masculine masochistic Mauritius murder narrative narrator narrator-captain Nathalie Nostromo novella obsession Outcast Oxford passage passion Planter of Malata Ransome Ransome’s Razumov reader reading relationship Renouard reports Retinger Ricardo sadism and masochism sadistic scene Schomberg Secret Agent seems sense sexual desire Shadow-Line shared ship significant Smile of Fortune sort story suggests symbolic tale teacher of languages Venus in Furs Verloc voyeurism Western Eyes Willems Willems’s Winnie woman women word World’s Classics Edition writhing writing young