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[The Spectator, No. 37. Thursday, April 12, 1710-11.]

-Non illa colo calathisve Minervæ -Virgil. Femineas assueta manus.1

Some months ago, my friend Sir Roger, being in the country, enclosed a letter to me, directed to a certain lady, whom I shall here call by the name of Leonora, and as it contained matters of consequence, desired me to deliver it to her with my own hand. Accordingly I waited upon her Ladyship pretty early in the morning, and was desired by her woman to walk into her Lady's library, till such time as she was in a readiness to receive me. The very sound of a lady's library gave me a great curiosity to see it; and as it was some time before the lady came to me, I had an opportunity of turning over a great many of her books, which were ranged together in a very beautiful order. At the end of the folios (which were finely bound and gilt) were great jars of china placed one above another in a very noble piece of architecture.

The quartos

were separated from the octavos by a pile of smaller vessels, which rose in a delightful pyramid. The octavos were bounded by teadishes of all shapes, colors, and sizes, which were so disposed on a wooden frame that they looked like one continued pillar indented with the finest strokes of sculpture and stained with the greatest variety of dyes.

That part of the library which was designed for the reception of plays and pamphlets, and other loose papers, was enclosed in a kind of square, consisting of one of the prettiest grotesque works that ever I saw, and made up of searamouches, lions, monkeys, mandarins, trees, shells, and a thousand other odd figures in chinaware. In the midst of the room was a little japan table, with a quire of gilt paper upon it, and on the paper a silver snuff box made in the shape of a little book. I found there Unbred to spinning, in the loom unskilled.Dryden.

were several other counterfeit books upon the upper shelves, which were carved in wood, and served only to fill up the number, like fagots in the muster of a regiment. I was wonderfully pleased with such a mixed kind of furniture as seemed very suitable both to the lady and the scholar, and did not know, at first, whether I should fancy myself in a grotto or in a library.

Upon my looking into the books, I found there were some few which the lady had bought for her own use; but that most of them had been got together, either because she had heard them praised, or because she had seen the authors of them. Among several that I examined, I very well remember these that follow:

Ogilby's Virgil.
Dryden's Juvenal.
Cassandra.
Cleopatra.
Astræa.

Sir Isaac Newton's Works.

The Grand Cyrus; with a pin stuck in one of the middle leaves. Pembroke's Arcadia.

Lock of Human Understanding, with a paper of patches in it. A spelling-book.

A dictionary for the explanation of hard words.

Sherlock upon Death.

The Fifteen Comforts of Matrimony.
Sir William Temple's Essays.

Father Malebranche's Search after Truth; translated into English.

A book of novels.

The Academy of Compliments.
Culpepper's Midwifery.

The Ladies' Calling.

Tales in Verse, by Mr. D'Urfey; bound in red leather, gilt on the back, and doubled down in several places.

All the classic authors in wood.
A set of Elzevirs by the same hand.
Clelia; which opened of itself in the place
that describes two lovers in a bower.
Baker's Chronicle.

Advice to a Daughter.

The New Atalantis, with a key to it.
Mr. Steele's Christian Hero.

A prayer-book; with a bottle of Hungary water by the side of it.

Dr. Sacheverell's speech.
Fielding's Trial.

Seneca's Morals.

Taylor's Holy Living and Dying.

La Ferte's Instructions for Country Dances.

I was taking a catalogue in my pocketbook of these and several other authors, when Leonora entered, and, upon my presenting her with the letter from the knight, told me, with an unspeakable grace, that she hoped Sir Roger was in good health; I answered "Yes," for I hate long speeches, and after a bow or two retired.

Leonora was formerly a celebrated beauty, and is still a very lovely woman. She has been a widow for two or three years, and being unfortunate in her first marriage, has taken a resolution never to venture upon a second. She has no children to take care of, and leaves the management of her estate to my good friend Sir Roger. But as the mind naturally sinks into a kind of lethargy, and falls asleep, that is not agitated by some favorite pleasures and pursuits, Leonora has turned all the passions of her sex into a love of books and retirement. She converses chiefly with men (as she has often said herself), but it is only in their writings; and admits of very few male visitants except my friend Sir Roger, whom she hears with great pleasure and without scandal. As her reading has lain very much among romances, it has given her a very particular turn of thinking, and discovers itself even in her house, her gardens, and her furniture. Sir Roger has entertained me an hour together with a description of her country seat, which is situated in a kind of wilderness, about an hundred miles distant from London, and looks like a little enchanted palace. The rocks about her are shaped into artificial grottoes covered with woodbines and jessamines. The woods are cut into shady walks, twisted into bowers, and filled with cages of turtles. The springs are made to run among pebbles, and by that means taught to murmur very agreeably. They are likewise collected into a beautiful lake that is inhabited by a couple of swans, and empties itself by a little rivulet, which runs through a green meadow, and is known in the family by the name of The Purling Stream.

The knight likewise tells me that this lady preserves her game better than any of the gentlemen in the country. "Not," says Sir Roger, "that she sets so great a value upon her partridges and pheasants, as upon her larks and nightingales; for she says that every bird which is killed in her ground will

spoil a concert, and that she shall certainly miss him the next year."

When I think how oddly this lady is improved by learning, I look upon her with a mixture of admiration and pity. Amidst these innocent entertainments which she has formed to herself, how much more valuable does she appear than those of her sex who employ themselves in diversions that are less reasonable, though more in fashion. What improvements would a woman have made, who is so susceptible of impressions from what she reads, had she been guided to such books as have a tendency to enlighten the understanding and rectify the passions, as well as to those which are of little more use than to divert the imagination.

But the manner of a lady's employing herself usefully in reading shall be the subject of another paper, in which I design to recommend such particular books as may be proper for the improvement of the sex. And as this is a subject of a very nice nature, I shall desire my correspondents to give me their thoughts upon it.

THE EDUCATION OF WOMEN

DANIEL DEFOE

[From An Essay upon Projects, 1697]

I have often thought of it as one of the most barbarous customs in the world, considering us as a civilized and a christian country, that we deny the advantages of learning to women. We reproach the sex every day with folly and impertinence; while I am confident, had they the advantages of education equal to us, they would be guilty of less than ourselves.

One would wonder, indeed, how it should happen that women are conversible at all, since they are only beholden to natural parts for all their knowledge. Their youth is spent to teach them to stitch and sew, or make baubles. They are taught to read, indeed, and perhaps to write their names, or so; and that is the height of a woman's education. And I would but ask any who slight the sex for their understanding, what is a man (a gentleman, I mean) good for, that is taught no more? I need not give instances, or examine the character of a gentleman, with a good estate, of a good family, and with tolerable parts; and examine what figure he makes for want of education.

The soul is placed in the body like a rough diamond, and must be polished, or the luster of it will never appear. And 'tis manifest, that as the rational soul distinguishes us from brutes, so education carries on the distinction, and makes some less brutish than others. This is too evident to need any demonstration. But why then should women be denied the benefit of instruction? If knowledge and understanding had been useless additions to the sex, God Almighty would never have given them capacities; for he made nothing needless. Besides, I would ask such, what they can see in ignorance, that they should think it a necessary ornament to a woman? or how much worse is a wise woman than a fool? or what has the woman done to forfeit the privilege of being taught? Does she plague us with her pride and impertinence? Why did we not let her learn, that she might have had more wit? Shall we upbraid women with folly, when 'tis only the error of this inhuman custom that hindered them from being made wiser?

The capacities of women are supposed to be greater, and their senses quicker than those of the men; and what they might be capable of being bred to, is plain from some instances of female wit, which this age is not without, which upbraids us with injustice, and looks as if we denied women the advantages of education, for fear they should vie with the men in their improve

ments. . . .

They should be taught all sorts of breeding suitable both to their genius and quality. And in particular, music and dancing, which it would be cruelty to bar the sex of because they are their darlings. But besides this, they should be taught languages, as particularly French and Italian, and I would venture the injury of giving a woman more tongues than one. They should, as a particular study, be taught all the graces of speech, and all the necessary air of conversation, which our common education is so defective in that I need not expose it. They should be brought to read books, and especially history; and so to read as to make them understand the world, and be able to know and judge of things when they hear of them.

To such whose genius would lead them to it, I would deny no sort of learning; but the chief thing, in general, is to cultivate the understandings of the sex, that they may be capable of all sorts of conversation; that

their parts and judgments being improved, they may be as profitable in 'their conversation as they are pleasant.

Women, in my observation, have little or no difference in them, but as they are or are not distinguished by education. Tempers, indeed, may in some degree influence them, but the main distinguishing part is their breeding.

The whole sex are generally quick and sharp-I believe, I may be allowed to say, generally so for you rarely see them lumpish and heavy when they are children, as boys will often be. If a woman be well bred, and taught the proper management of her natural wit, she proves generally very sensible and retentive.

And, without partiality, a woman of sense and manners is the finest and most delicate part of God's creation, the glory of her Maker, and the great instance of his singular regard to man, his darling creature, to whom He gave the best gift either God could bestow or man receive. And 'tis the sordidest piece of folly and ingratitude in the world, to withhold from the sex the due luster which the advantages of education give to the natural beauty of their minds.

A woman.well bred and well taught, furnished with the additional accomplishments of knowledge and behavior, is a creature without comparison. Her society is the emblem of sublimer enjoyments, her person is angelic, and her conversation heavenly. She is all softness and sweetness, peace, love, wit, and delight. She is every way suitable to the sublimest wish; and the man that has such a one to his portion, has nothing to do but to rejoice in her, and be thankful.

On the other hand, suppose her to be the very same woman, and rob her of the benefit of education, and it follows:

If her temper be good, want of education makes her soft and easy.

Her wit, for want of teaching, makes her impertinent and talkative.

Her knowledge, for want of judgment and experience, makes her fanciful and whimsical.

If her temper be bad, want of breeding makes her worse; and she grows haughty, insolent, and loud.

If she be passionate, want of manners makes her a termagant and a scold, which is much at one with lunatic.

If she be proud, want of discretion

(which still is breeding) makes her conceited, fantastic, and ridiculous.

And from these she degenerates to be turbulent, clamorous, noisy, nasty, and the devil!...

The great distinguishing difference, which is seen in the world between men and women, is in their education; and this is manifested by comparing it with the difference between one man or woman, and

another.

And herein it is that I take upon me to make such a bold assertion, that all the world are mistaken in their practice about women. For I cannot think that God Almighty ever made them so delicate, so glorious creatures, and furnished them with such charms, so agreeable and so delightful to mankind, with souls capable of the same accomplishments with men; and all, to be only stewards of our houses, cooks, and slaves.

Not that I am for exalting the female government in the least; but, in short, I would have men take women for companions, and educate them to be fit for it. A woman of sense and breeding will scorn as much to encroach upon the prerogative of man, as a man of sense will scorn to oppress the weakness of the woman. But if the women's souls were refined and improved by teaching, that word would be lost. say the weakness of the sex, as to judgment, would be nonsense; for ignorance and folly would be no more to be found among women than men.

To

I remember a passage, which I heard from a very fine woman. She had wit and capacity enough, an extraordinary shape and face, and a great fortune, but had been cloistered up all her time, and for fear of being stolen, had not had the liberty of being taught the common necessary knowledge of women's affairs. And when she came to converse in the world her natural wit made her so sensible of the want of education, that she gave this short reflection on herself: "I am ashamed to talk with my very maids," says she, "for I don't know when they do right or wrong. I had more need go to school, than be married."

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happy days (if ever they shall be) when men shall be wise enough to mend it.

From AN ESSAY ON CRITICISM (1711)

ALEXANDER POPE

First follow Nature, and your judgment frame

By her just standard, which is still the

same;

Unerring Nature, still divinely bright,

One clear, unchanged, and universal light, Life, force, and beauty, must to all impart, At once the source, and end, and test of Art. Art from that fund each just supply provides,

Works without show, and without pomp presides:

In some fair body thus the informing soul With spirits feeds, with vigor fills the whole, Each motion guides, and every nerve sustains;

Itself unseen, but in the effects, remains. Some, to whom Heaven in wit has been profuse,

Want as much more, to turn it to its use; For wit and judgment often are at strife, Though meant each other's aid, like man

and wife.

'Tis more to guide than spur the Muse's steed;

Restrain his fury, than provoke his speed; The winged courser, like a generous horse, Shows most true mettle when you check his

course.

Those rules of old discovered, not devised, Are Nature still, but Nature methodized; Nature, like liberty, is but restrained By the same laws which first herself ordained.

Hear how learned Greece her useful rules indites,

When to repress, and when indulge our flights:

High on Parnassus' top her sons she showed,

And pointed out those arduous paths they trod;

Held from afar, aloft, the immortal prize, And urged the rest by equal steps to rise. Just precepts thus from great examples given,

She drew from them what they derived from Heaven.

The generous critic fanned the poet's fire, And taught the world with reason to admire. Then criticism the Muses' handmaid proved,

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Against the poets their own arms they turned,

Sure to hate most the men from whom they learned.

So modern 'pothecaries, taught the art
By doctor's bills to play the doctor's part,
Bold in the practice of mistaken rules,
Prescribe, apply, and call their masters
fools.

Some on the leaves of ancient authors prey,

Nor time nor moths e'er spoiled so much as they.

Some dryly plain, without invention's aid, Write dull receipts, how poems may be made.

These leave the sense, their learning to display,

And those explain the meaning quite away. You, then, whose judgment the right course would steer,

Know well each ancient's proper character; His fable, subject, scope in every page; Religion, country, genius of his age: Without all these at once before your eyes, Cavil you may, but never criticize.

Be Homer's works your study and delight,

Read them by day, and meditate by night; Thence form your judgment, thence your maxims bring,

And trace the Muses upward to their spring. Still with itself compared, his text peruse; And let your comment be the Mantuan

Muse.

When first young Maro in his boundless mind

A work to outlast immortal Rome designed. Perhaps he seemed above the critic's law, And but from nature's fountains scorned to draw:

But when to examine every part he came, Nature and Homer were, he found, the

same.

Convinced, amazed, he checks the bold design;

And rules as strict his labored work confine,

As if the Stagirite o'erlooked each line. Learn hence for ancient rules a just esteem;

To copy nature is to copy them.

HOW TO JUDGE A PLAY

JOSEPH ADDISON

[The Tatler, No. 165.—Saturday, April 29, 1710.1

It has always been my endeavor to distinguish between realities and appearances and to separate true merit from the pretense to it. As it shall ever be my study to make discoveries of this nature in human life and to settle the proper distinctions between the virtues and perfections of mankind and those false colors and resemblances of them that shine alike in the eyes of the vulgar, so I shall be more particularly careful to search into the various merits and pretenses of the learned world. This is the more necessary, because there seems to be a general combination among the pedants to extol one another's labors and cry up one another's parts; while men of sense, either through that modesty which is natural to them, or the scorn they have for such trifling commendations, enjoy their stock of knowledge, like a hidden treasure, with satisfaction and silence. Pedantry indeed, in learning, is like hypocrisy in religion, a form of knowledge without the power of it; that attracts the eyes of the common people; breaks out in noise and show; and finds its reward, not from any inward pleasure that attends it, but from the praises and approbations which it receives from men.

Of this shallow species there is not a more importunate, empty, and conceited animal than that which is generally known by the name of a Critic. This, in the common acceptation of the word, is one that, without entering into the sense and soul of an author, has a few general rules, which, like mechanical instruments, he applies to the works of every writer; and as they quadrate with them, pronounces the author perfect or defective. He is master of a certain set of words, as Unity, Style, Fire, Phlegm, Easy, Natural, Turn, Sentiment, and the like; which he varies, compounds, divides, and throws together, in every part of his discourse, without any thought or meaning. The marks you may know him by are an elevated eye and a dogmatical brow, a positive voice and a contempt for everything that comes out, whether he has read it or not. He dwells altogether in generals. He praises or dispraises in the lump. He shakes his head very frequently at the pedantry of universities and bursts into laughter when

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